Paul Clifford — CompleteLytton, Edward Bulwer Lytton, Baron
General
Paul Clifford — Complete
Lytton, Edward Bulwer Lytton, Baron
Brigands and robbers -- Fiction
the most austere of men; and his grave and stern repute on this score,
joined to the dazzle of his eloquence and forensic powers, had baffled
in great measure the rancour of party hostility, and obtained for him
a character for virtues almost as high and as enviable as that which he
had acquired for abilities.
While William was thus treading a noted and an honourable career, his
elder brother, who had married into a clergyman's family, and soon lost
his consort, had with his only child, a daughter named Lucy, resided
in his paternal mansion in undisturbed obscurity. The discreditable
character and habits of the preceding lords of Warlock, which had sunk
their respectability in the county as well as curtailed their property,
had rendered the surrounding gentry little anxious to cultivate the
intimacy of the present proprietor; and the heavy mind and retired
manners of Joseph Brandon were not calculated to counterbalance the
faults of his forefathers, nor to reinstate the name of Brandon in its
ancient popularity and esteem. Though dull and little cultivated, the
squire was not without his “proper pride;” he attempted not to intrude
himself where he was unwelcome, avoided county meetings and county
balls, smoked his pipe with the parson, and not unoften with the surgeon
and the solicitor, and suffered his daughter Lucy to educate herself
with the help of the parson's wife, and to ripen (for Nature was more
favourable to her than Art) into the very prettiest girl that the whole
county--we long to say the whole country--at that time could boast of.
Never did glass give back a more lovely image than that of Lucy Brandon
at the age of nineteen. Her auburn hair fell in the richest luxuriance
over a brow never ruffled, and a cheek where the blood never slept; with
every instant the colour varied, and at every variation that smooth,
pure; virgin cheek seemed still more lovely than before. She had the
most beautiful laugh that one who loved music could imagine,--silvery,
low, and yet so full of joy! All her movements, as the old parson said,
seemed to keep time to that laugh, for mirth made a great part of her
innocent and childish temper; and yet the mirth was feminine, never
loud, nor like that of young ladies who had received the last finish at
Highgate seminaries. Everything joyous affected her, and at once,--air,
flowers, sunshine, butterflies. Unlike heroines in general, she very
seldom cried, and she saw nothing charming in having the vapours. But
she never looked so beautiful as in sleep; and as the light breath came
from her parted lips, and the ivory lids closed over those eyes which
only in sleep were silent,--and her attitude in her sleep took that
ineffable grace belonging solely to childhood, or the fresh youth into
which childhood merges,--she was just what you might imagine a sleeping
Margaret, before that most simple and gentle of all a poet's visions of
womanhood had met with Faust, or her slumbers been ruffled with a dream
of love.
Public-domain text, read in full here on John Shaqi.
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