There is a great power in quiet, for God is in it. Not seldom He seems to lay His hand on one of His children, as a mother lays hers on the restless one in the crib, to still him. Then the child sleeps, but the man begins to live up from the lower depths of his nature. So the winter comes to still the plant whose life had been rushing to blossom and fruit. When the hand of God is laid upon a man, vain moan, and struggle and complaint, it may be indignant outcry follows; but when, outwearied at last, he yields, if it be in dull submission to the inexorable, and is still, then the God at the heart of him, the God that is there or the man could not be, begins to grow. This point Juliet had not yet reached, and her trouble went on. She saw no light, no possible outlet. Her cries, her longings, her agonies, could not reach even the ears, could never reach the heart of the man who had cast her off. He believed her dead, might go and marry another, and what would be left her then? Nothing but the death from which she now restrained herself, lest, as Dorothy had taught her, she should deny him the fruits of a softening heart and returning love. The moment she heard that he sought another, she would seek Death and assuredly find him. One letter she would write to leave behind her, and then go. He should see and understand that the woman he despised for the fault of the girl, was yet capable of the noblest act of a wife: she would die that he might live--that it might be well with her husband. Having entertained, comprehended and settled this idea in her mind, she became quieter. After this, Dorothy might have spoken without stirring up so angry an opposition. But it was quite as well she did not know it, and did not speak. I have said that Dorothy wondered she did not fall ill. There was a hope in Juliet's mind of which she had not spoken, but upon which, though vaguely, she built further hope, and which may have had part in her physical endurance: the sight of his baby might move the heart of her husband to pardon her! But the time, even with the preoccupation of misery, grew very dreary. She had never had any resources in herself except her music, and even if here she had had any opportunity of drawing upon that, what is music but a mockery to a breaking heart? Was music ever born of torture, of misery? It is only when the cloud of sorrow is sinking in the sun-rays, that the song-larks awake and ascend. A glory of some sort must fringe the skirts of any sadness, the light of the sorrowing soul itself must be shed upon it, and the cloud must be far enough removed to show the reflected light, before it will yield any of the stuff of which songs are made. And this light that gathers in song, what is it but hope behind the sorrow--hope so little recognized as such, that it is often called despair? It is reviving and not decay that sings even the saddest of songs.