There was a spot--it has been cleared away since to make room for the approach to Greenwich Tunnel--it was then the entrance to a grain depot in connection with the Milwall Docks. A curious brick well it resembled, in the centre of which a roadway wound downward, corkscrew fashion, disappearing at the bottom into darkness under a yawning arch. The place possessed the curious property of being ever filled with a ceaseless murmur, as though it were some aerial maelstrom, drawing into its silent vacuum all wandering waves of sound from the restless human ocean flowing round it. No single tone could one ever distinguish: it was a mingling of all voices, heard there like the murmur of a sea-soaked shell. We passed through it on our return. Its work for the day was finished, its strange, weary song uninterrupted by the mighty waggons thundering up and down its spiral way. Hal paused, leaning against the railings that encircled its centre, and listened. “Hark, do you not hear it, Paul?” he asked. “It is the music of Humanity. All human notes are needful to its making: the faint wail of the new-born, the cry of the dying thief; the beating of the hammers, the merry trip of dancers; the clatter of the teacups, the roaring of the streets; the crooning of the mother to her babe, the scream of the tortured child; the meeting kiss of lovers, the sob of those that part. Listen! prayers and curses, sighs and laughter; the soft breathing of the sleeping, the fretful feet of pain; voices of pity, voices of hate; the glad song of the strong, the foolish complaining of the weak. Listen to it, Paul! Right and wrong, good and evil, hope and despair, it is but one voice--a single note, drawn by the sweep of the Player's hand across the quivering strings of man. What is the meaning of it, Paul? Can you read it? Sometimes it seems to me a note of joy, so full, so endless, so complete, that I cry: 'Blessed be the Lord whose hammers have beaten upon us, whose fires have shaped us to His ends!' And sometimes it sounds to me a dying note, so that I could curse Him who in wantonness has wrung it from the anguish of His creatures--till I would that I could fling myself, Prometheus like, between Him and His victims, calling: 'My darkness, but their light; my agony, O God; their hope!'” The faint light from a neighbouring gas-lamp fell upon his face that an hour before I had seen the face of a wild beast. The ugly mouth was quivering, tears stood in his great, tender eyes. Could his prayer in that moment have been granted, could he have pressed against his bosom all the pain of the world, he would have rejoiced. He shook himself together with a laugh. “Come, Paul, we have had a busy afternoon, and I'm thirsty. Let us drink some beer, my boy, good sound beer, and plenty of it.”