We came to the end of them in less than the time old Gadley had thought
needful: in such perfect order had everything been maintained. I was
preparing to go, but old Gadley had drawn a couple of small keys from
his pocket, and was shuffling again towards the safe.
“Only one more,” he explained in answer to my look, “his own private
ledger. It will merely be in the nature of a summary, but we'll just
glance through it.”
He opened an inner drawer and took from it a small thick volume bound
in green leather and closed with two brass locks. An ancient volume, it
appeared, its strong binding faded and stained. Old Gadley sat down
with it at the dead man's own desk, and snuffing the two shaded candles,
unlocked and opened it. I was standing opposite, so that the book to me
was upside down, but the date on the first page, “1841,” caught my eye,
as also the small neat writing now brown with age.
“So neat, so orderly he always was,” murmured old Gadley again,
smoothing the page affectionately with his hand, and I waited for his
dictation.
But no glib flow of figures fell from him. His eyebrows suddenly
contracted, his body stiffened itself. Then for the next quarter of an
hour nothing sounded in the quiet room but his turning of the creakling
pages. Once or twice he glanced round swiftly over his shoulder, as
though haunted by the idea of some one behind him; then back to the
neat, closely written folios, his little eyes, now exhibiting a comical
look of horror, starting out of his round red face. First slowly, then
quickly with trembling hands he turned the pages, till the continual
ratling of the leaves sounded like strange, mocking laughter through
the silent, empty room; almost one could imagine it coming from some
watching creature hidden in the shadows.
The end reached, he sat staring before him, his whole body quivering,
great beads of sweat upon his shiny bald head.
“Am I mad?” was all he could find to say. “Kelver, am I mad?”
Public-domain text, read in full here on John Shaqi.
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