A trail of gentle melancholy lay over them. Sentiment was more popular
then than it is now, and, as do all beginners, I scrupulously followed
fashion. Generally speaking, to be a heroine of mine was fatal. However
naturally her hair might curl--and curly hair, I believe, is the
hall-mark of vitality; whatever other indications of vigorous health she
might exhibit in the first chapter, such as “dancing eyes,” “colour
that came and went,” “ringing laughter,” “fawn-like agility,” she was
tolerably certain, poor girl, to end in an untimely grave. Snowdrops and
early primroses (my botany I worked up from a useful little volume, “Our
Garden Favourites, Illustrated”) grew there as in a forcing house; and
if in the neighbourhood of the coast, the sea-breezes would choose
that particular churchyard, somewhat irreverently, for their favourite
playground. Years later a white-haired man would come there leading
little children by the hand, and to them he would tell the tale anew,
which must have been a dismal entertainment for them.
Now and then, by way of change, it would be the gentleman who would
fall a victim of the deadly atmosphere of my literature. It was of
no particular consequence, so he himself would conclude in his last
soliloquy; “it was better so.” Snowdrops and primroses, for whatever
consolation they might have been to him, it was hopeless for him to
expect; his grave, marked by a rude cross, being as a rule situate in an
exceptionally unfrequented portion of the African veldt or amid burning
sands. For description of final scenery on these occasions a visit to
the British Museum reading-room would be necessary.
Dismal little fledgelings! And again and again would I drive them from
the nest; again and again they fluttered back to me, soiled, crumpled,
physically damaged. Yet one person had admired them, cried over
them--myself.
All methods I tried. Sometimes I would send them forth accompanied by
a curt business note of the take-it-or-leave-it order. At other times I
would attach to it pathetic appeals for its consideration. Sometimes
I would give value to it, stating that the price was five guineas and
requesting that the cheque should be crossed; at other times seek to
tickle editorial cupidity by offering this, my first contribution to
their pages, for nothing--my sample packet, so to speak, sent gratis,
one trial surely sufficient. Now I would write sarcastically, enclosing
together with the stamped envelope for return a brutally penned note of
rejection. Or I would write frankly, explaining elaborately that I was a
beginner, and asking to be told my faults--if any.
Not one found a resting place for its feet. A month, a week, a couple of
days, they would remain away from me, then return. I never lost a single
one. I wished I had. It would have varied the monotony.
Public-domain text, read in full here on John Shaqi.
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