“Sure, Mrs. Peedles, ye could never have looked down upon the Signora,”
the O'Kelly would answer laughing. “Ye had to lie back and look up to
her. Why, I've got the crick in me neck to this day!”
“Ah! my dear, and you don't know how nervous I was when glancing down
I'd see his handsome face just underneath me, thinking that with one
false step I might spoil it for ever,” would reply the Signora.
“Me darling! I'd have died happy, just smothered in loveliness!” would
return the O'Kelly; and he and the Signora would rush into each other's
arms, and the sound of their kisses would quite excite the little slavey
sweeping down the stairs outside.
He was a barrister attached in theory to the Western Circuit; in
practice, somewhat indifferent to it, much more attached to the lower
strata of Bohemia and the Signora. At the present he was earning all
sufficient for the simple needs of himself and the Signora as a teacher
of music and singing. His method was simple and suited admirably the
locality. Unless specially requested, he never troubled his pupils with
such tiresome things as scales and exercises. His plan was to discover
the song the young man fancied himself singing, the particular jingle
the young lady yearned to knock out of the piano, and to teach it to
them. Was it “Tom Bowling?” Well and good. Come on; follow your leader.
The O'Kelly would sing the first line.
“Now then, try that. Don't be afraid. Just open yer mouth and gave it
tongue. That's all right. Everything has a beginning. Sure, later on,
we'll get the time and tune, maybe a little expression.”
Whether the system had any merit in it, I cannot answer. Certain it was
that as often as not it achieved success. Gradually--say, by the end
of twelve eighteen-penny lessons--out of storm and chaos “Tom Bowling”
would emerge, recognisable for all men to hear. Had the pupil any voice
to start with, the O'Kelly improved it; had he none, the O'Kelly would
help him to disguise the fact.
“Take it easy, now; take it easy,” the O'Kelly would counsel. “Sure,
it's a delicate organ, yer voice. Don't ye strain it now. Ye're at yer
best when ye're just low and sweet.”
So also with the blushing pianiste. At the end of a month a tune was
distinctly discernible; she could hear it herself, and was happy. His
repute spread.
Public-domain text, read in full here on John Shaqi.
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