He fixed a time for me to call again upon him the next day, when Mrs.
O'Kelly would be away from home. He instructed me to walk quietly up and
down on the opposite side of the road with my eye on the attic window,
and not to come across unless he waved a handkerchief.
Rising to go, I thanked him for his kindness. “Don't put it that way, me
dear Paul,” he answered. “If I don't get ye out of this scrape I shall
never forgive meself. If we damned silly fools don't help one another,”
he added, with his pleasant laugh, “who is to help us?”
We crept downstairs as we had crept up. As we reached the first floor,
the drawing-room door suddenly opened.
“William!” cried a sharp voice.
“Me dear,” answered the O'Kelly, snatching his pipe from his mouth and
thrusting it, still alight, into his trousers pocket. I made the rest
of the descent by myself, and slipping out, closed the door behind me as
noiselessly as possible.
Again I did not return to Nelson Square until the early hours, and the
next morning did not venture out until I had heard Miss Sellars, who
appeared to be in a bad temper, leave the house. Then running to the top
of the kitchen stairs, I called for Mrs. Peedles. I told her I was going
to leave her, and, judging the truth to be the simplest explanation, I
told her the reason why.
“My dear,” said Mrs. Peedles, “I am only too glad to hear it. It wasn't
for me to interfere, but I couldn't help seeing you were making a fool
of yourself. I only hope you'll get clear off, and you may depend upon
me to do all I can to help you.”
“You don't think I'm acting dishonourably, do you, Mrs. Peedles?” I
asked.
“My dear,” replied Mrs. Peedles, “it's a difficult world to live
in--leastways, that's been my experience of it.”
I had just completed my packing--it had not taken me long--when I
heard upon the stairs the heavy panting that always announced to me the
up-coming of Mrs. Peedles. She entered with a bundle of old manuscripts
under her arm, torn and tumbled booklets of various shapes and sizes.
These she plumped down upon the rickety table, and herself upon the
nearest chair.
“Put them in your box, my dear,” said Mrs. Peedles. “They'll come in
useful to you later on.”
I glanced at the bundle. I saw it was a collection of old plays in
manuscript-prompt copies, scored, cut and interlined. The top one I
noticed was “The Bloodspot: Or the Maiden, the Miser and the Murderer;”
the second, “The Female Highwayman.”
“Everybody's forgotten 'em,” explained Mrs. Peedles, “but there's some
good stuff in all of them.”
“But what am I to do with them?” I enquired.
“Just whatever you like, my dear,” explained Mrs. Peedles. “It's quite
safe. They're all of 'em dead, the authors of 'em. I've picked 'em out
most carefully. You just take a scene from one and a scene from the
other. With judgment and your talent you'll make a dozen good plays out
of that little lot when your time comes.”
“But they wouldn't be my plays, Mrs. Peedles,” I suggested.
Public-domain text, read in full here on John Shaqi.
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