Paul Rundel: A NovelHarben, Will N. (Will Nathaniel)
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Paul Rundel: A Novel
Harben, Will N. (Will Nathaniel)
Fugitives from justice -- Fiction; Georgia -- Fiction; Ku Klux Klan (19th century) -- Fiction
“Halt, you dirty coward!” Paul cried, as he stepped in front of him, the
gun leveled at the broad chest.
“What--what? Good God!” Warren gasped. “Put down that gun, you young
fool! Drop it, I say, or I'll--”
Warren was about to spring forward as the only means of self-protection,
but before he could do so there was a flash, a ringing report, a puff of
smoke, and with a groan Warren bent forward, his hands on his breast.
He swayed back and forth, groaning. He reeled, tottered sideways, made a
strenuous effort to keep erect, then fell forward, gasping audibly, and
lay still.
Paul lowered his gun, and for a moment stood looking at the fallen man.
His blood was wildly beating in his heart and brain. There was a barking
of dogs far and near. Glancing toward the house, he noticed the forms of
his mother and aunt framed by the kitchen doorway, the firelight behind
them.
“It may be somebody shootin' bats”--Amanda's voice held a distinct note
of alarm--“but I was shore I heard somebody speak sharp-like just before
the shot was fired. Let's run down thar an' look.”
They dropped out of sight. Paul heard the patter of their feet, knew
they were coming, and, for no reason which he could fathom, he retreated
in the direction from which he had come. As if in a flash he caught and
held the idea that, having done his duty, he would turn himself over
to an officer of the law, as he had read of men doing in similar
circumstances.
He had gone only a few hundred yards when he heard the two women
screaming loudly; and why he did so he could not have explained, but he
quickened his gait into a slow, bewildered sort of trot, the gun
still in his hands. Perhaps it was due to the thought that he wanted
voluntarily to give himself up before any one should accuse him of
trying to flee. He was nearing Hoag's barn, and thinking of making a
short cut to the village across the fields, when a man suddenly burst
from the thicket at the side of the road and faced him. It was Hoag
himself.
“Hold thar!” he cried, staring through the dusk at Paul. “What's
all that screamin' mean? I heard a gun go off, an' rememberin' that
you--say, did you--Good God! What you comin' back this way for?”
“I've killed Jeff Warren,” Paul answered, calmly. “I'm goin' to Grayson
to give myself up.”
“Good Lord, you don't say--why, why--” Hoag's voice trailed away into
silence, silence broken only by the voices of the two women in the
distance calling for help.
“Yes, I shot 'im--you know why; you yourself said--”
Hoag suddenly laid a trembling hand on Paul's arm. The boy had never
seen his employer turn pale before, or show so much agitation. “Looky'
here, you didn't go an'--an' do that because I--on account o' anything
_I_ said. Shorely you didn't--shorely you didn't! Come into the thicket,
quick! Folks will be passin' here in a minute. Them fool women will rip
the'r lungs out. Say, you didn't really _kill_ 'im, did you--actually
kill 'im?”
Public-domain text, read in full here on John Shaqi.
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