"Oh, parbleu! if it requires constrained attention in order to
comprehend it, that is really a labour."
"And, you know, one does not come to the theatre to have oneself bored
to find out all the developments of a plot."
"If it be intricate, that is the author's affair, and I really cannot
for his pleasure and gratification refrain from a little quiet chat with
a neighbour."
"True; the triumph of art is to make oneself understood without being
listened to."
"Devil take you, Morville, you are quite fanatic about Gercourt."
CHAPTER XVII
BETWEEN THE ACTS.--BOX NUMBER VII
This box, as we have said already, was occupied by M. de Brévannes and
his wife.
He had recognised Paula Monti in the Princess de Hansfeld.
Fortunately Bertha's attention was occupied, else the marked alteration
in her husband's features could not have escaped her. In spite of the
iron temper of his disposition, M. de Brévannes was, in spite of
himself, much agitated, and compelled to lean against the side of the
box for support, as he felt the mad passion with which Paula Monti had
inspired him again awaken in his bosom with increased violence.
He saw once again this woman more lovely than ever, admired by all the
men, envied by all the women, and in a most elevated social position.
And she could now exact from him a terrible account of the blood which
he had shed, of the infamous means which he had employed to give a
colourable appearance to his cowardly calumnies.
Fearing the pursuit of justice, which might be directed against him
after his duel with Raphael (in which the latter fell), De Brévannes
had quitted Florence precipitately. Since then he had sought to amuse
himself by guilty intrigues, in order to forget his unworthy conduct and
invincible passion, which, in spite of himself, still held such dominion
over him.
His ill humour, his coarseness, his severity towards Bertha, had no
other source than his feeling of the past which he could not drive from
his memory.
What would then become of him when he found himself face to face with
Madame de Hansfeld, and should be recognised by her, for the looks of
the princess, at first attracted by the _sobieska_ of Madame Girard,
were thence removed to M. de Brévannes at the very instant when, having
discovered in her Paula Monti, he was looking at her with amazement.
He saw her shudder, lift her hands suddenly to her eyes, and then become
again perfectly impassive.
* * * * *
Bertha had been deeply interested, going rarely to the theatre, she
preserved all her feelings youthful and fresh. Entirely absorbed in the
plot of the comedy, nay indifferent to what was going on in the various
boxes and stalls, the commencement of the second act of _The Seducer_
completely fascinated her attention.
The second act was, perhaps, even more successful than the first. De
Gercourt's friends began to get impatient at this lucky chance, and one
of the most intimate said:--
Public-domain text, read in full here on John Shaqi.
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