Pausanias' description of Greece, Volume I.Pausanias, active approximately 150-175
History
Pausanias' description of Greece, Volume I.
Pausanias, active approximately 150-175
Greece -- Antiquities; Greece -- Description and travel -- Early works to 1800
Wingless Victory is the same, _viz._ that Enyalius will never depart
from the Lacedæmonians as being fettered, just as Victory will always
remain with the Athenians because she has no wings to fly away. Athens
and Lacedæmon have erected these statues on similar principles and with
a similar belief. And at Sparta there is a Lounge called _the Painted
Lounge_, and various hero-chapels near it, as of Cadmus the son of
Agenor, and his descendants, Œolycus the son of Theras, and Ægeus the
son of Œolycus. And they say these hero-chapels were built by Mæsis,
Læas, and Europas, who are said to have been the sons of Hyræsus and
grandsons of Ægeus. And they built also a hero-chapel to Amphilochus,
because their ancestor Tisamenus was the son of Demonassa, the sister
of Amphilochus. And the Lacedæmonians are the only Greeks with whom it
is customary to call Hera Goateater and to sacrifice goats to her. And
Hercules they say built a temple and sacrificed goats to her first,
because when he was fighting against Hippocoon and his sons he met
with no obstacle from Hera, though he thought the goddess opposed him
on all other occasions. And they say he sacrificed goats to her as
being in difficulty about getting any other victims. And not far from
the theatre is the temple of Tutelary Poseidon and hero-chapels of
Cleodæus the son of Hyllus, and of Œbalus. And the most notable of the
Spartan temples of Æsculapius is at Booneta, on the left of which is
the hero-chapel of Teleclus, of whom I shall give an account when I
come to Messenia. And when you have gone forward a little further there
is a hill not very high, and on it an old temple and wooden statue of
Aphrodite in full armour. This is the only temple I know which has
an upper story built above it, and in this upper story is a shrine
of Aphrodite under the title of The Shapely, the goddess is seated
with a veil on and fetters on her feet. They say Tyndareus added the
fetters, symbolising by those bonds the bonds of love, that unite men
so powerfully to women. For as to the other tradition, that Tyndareus
punished the goddess by fetters, because he thought his daughters’
disgrace had come from the goddess, this I don’t at all accept: for
it would have been altogether childish to make a small figure of
cedar-wood and call it Aphrodite, and then think in punishing it one
was punishing the goddess!
CHAPTER XVI.
Public-domain text, read in full here on John Shaqi.
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