Pausanias' description of Greece, Volume I.Pausanias, active approximately 150-175
History
Pausanias' description of Greece, Volume I.
Pausanias, active approximately 150-175
Greece -- Antiquities; Greece -- Description and travel -- Early works to 1800
Those who think that the parts of the elephant that project from the
mouth are teeth and not horns, should consider the case of Celtic elks
and Ethiopian bulls. For male elks have horns on their foreheads,
but the female elk has none whatever. And Ethiopian bulls have horns
growing in their nostrils. Who would therefore think it very wonderful
after these examples that a beast should have horns growing out of its
mouth? One may also get further light from the following particulars.
Horns in animals take a certain definite period to grow and grow more
than once: and this is the case with stags and antelopes as well as
elephants. But no animal after full growth has second sets of teeth.
If they are teeth therefore and not horns that project from elephants’
mouths, how could they grow a second time? Moreover teeth are not acted
upon by fire, but horns both of oxen and elephants can by the action of
fire be made straight from round, and can in fact be turned into any
shape. [But in hippopotamuses and boars the lower jaw has projecting
teeth: and we do not see horns growing out of their jaws.] Let anybody
be certain therefore that they are horns in the elephant that project
and grow out from the temples. I don’t make this assertion as mere
hearsay, for I have seen the skull of an elephant in the temple of
Artemis in Campania. The temple I refer to is about 30 stades from
Capua, which is the chief town of Campania. And the elephant is not
only different from other animals in the growth of its horns, but also
in its size and appearance. And the Greeks seem to me to have shewn
great munificence and an absence of parsimoniousness in respect to
their worship of the gods, seeing that they procured ivory both from
India and Ethiopia for their statues.
Public-domain text, read in full here on John Shaqi.
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