And as you go a little further is the grove of the hero Lacius, who gives his name to a township. There too is the tomb of Nicocles of Tarentum, who won the greatest fame of all harpers. There is also an altar to Zephyrus, and a temple of Demeter and Proserpine: Athene and Poseidon have joint honours with them. Here they say Phytalus received Demeter into his house, and the goddess gave him in return a fig tree. My account is confirmed by the inscription on Phytalus’ tomb. “Here Phytalus king-hero once received Holy Demeter, when she first vouchsafed The fruit that mortals call the fig: since when The race of Phytalus has deathless fame.” And before crossing over the river Cephisus, is the tomb of Theodorus, one of the best tragic actors of his day. And there are two statues near the river, Mnesimaches, and his son cutting off his hair as a votive offering to the Cephisus. That it was an ancient custom for all the Greeks to cut off locks of their hair to rivers one would infer from the verses of Homer, who describes Peleus as vowing to cut off his hair to the river Spercheus if his son Achilles returned safe from Troy.[10] On the other side of the Cephisus is an ancient altar to Milichian (_i.e._ _mild_) Zeus, where Theseus got purified after slaying the progeny of Phytalus. He had slain other robbers, and Sinis, who was his relation by Pittheus his maternal grandfather. And there are the tombs here of Theodectes the son of Phaselites, and of Mnesitheus. This last they say was a noted doctor, and dedicated several statues, and among them one of Iacchus. And by the roadside is a small temple called the temple of Cyamites (_Bean-man_): but I have no certain information, whether he first sowed beans, or whether they gave the name to some hero, because it was not lawful to ascribe the invention of beans to Demeter. And whoever has seen the Eleusinian mysteries, or has read the Orphic poems, knows what I mean. And of the tombs that are finest for size and beauty are two especially, one of a Rhodian who had migrated to Athens, the other of Pythionice, made by Harpalus a Macedonian, who had fled from Alexander and sailed to Europe from Asia, and coming to Athens was arrested by the Athenians, but escaped by bribing the friends of Alexander and others, and before this had married Pythionice, whose extraction I don’t know, but she was a courtesan both at Athens and Corinth. He was so enamoured of her that, when she died, he raised this monument to her, the finest of all the ancient works of art in Greece.