City and town life -- Fiction; Short stories, American
She shook her head as if she was talking to a foreign language; then we
heard somebody coming--a little rustle and swish and afterwards a voice.
These three things by themselves would have made somebody more
attractive than some women know how to be. I'll never forget how she
seemed when she came to the door--Miss Clementina, waiting to speak with
her mother and not knowing anybody else was with her.
Honest, I couldn't tell what her dress was--and me a woman that has
turned her hand to dressmaking. It was all thin, like light, and it had
all little ways of hanging that made you know you never could make one
like it, so's you might as well enjoy yourself looking and not fuss
with trying to remember how it was put together. But her dress wasn't so
much like light as her face. Miss Clementina's face--oh, it was like the
face of a beautiful woman that somebody tells you about, and that you
never do get to see, and if you did, like enough she might not be so
beautiful after all--but you always think of her as being the way you
mean when you say "beautiful." Miss Clementina looked like that. And
when I saw her that night I could hardly wait to have her face and eyes
soften all to Summer, that wonderful way she had.
"Oh, Miss Clementina," I says, "I've got a baby. At least, he's only
half mine. I mean--"
Then, while she was coming toward us along the lamp-light, as if it was
made to bring her, the little chap began waking up. He stirred, and
budded up his lips, and said little baby-things in his throat, and begun
to cry, soft and lonesome, as if he didn't understand. Oh, isn't it
true? A baby's waking-up minute, when it cries a little and don't know
where it is, ain't that like us, sometimes crying out sort of blind to
be took care of? And when the little thing opened his eyes, first thing
he saw was Miss Clementina, standing beside him. And what did that
little chap do instead of stopping crying but just hold out one hand
toward her, and kind of bend across, same as if he meant something.
With that the Brother-man, that Madame Proudfit hadn't had a chance yet
to present to Miss Clementina, he says to her all excited:
"He wants you to kiss his hand! Kiss his hand and he'll stop crying!"
Miss Clementina looked up at him like a little question, then she
stooped and kissed the baby's hand, and we three watched him perfectly
breathless to see what he would do. And he done exactly what that
up-hill note had said he would--he stopped crying, and he done more than
it said he would--he smiled sweet and bright, and as if he knew
something else about it. And we three looked at each other and at him,
and we smiled, too. And it made a nice minute.
"Clementina," said Madame Proudfit, like another minute that wasn't so
very well acquainted with the one that was being, and then she presented
the Brother-man. But instead of a regular society,
say-what-you-ought-to-say answer to her greeting, the Brother-man says
to her:
Public-domain text, read in full here on John Shaqi.
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