City and town life -- Fiction; Short stories, American
"Gramma Hawley brought her up from a little thing," Calliope explained
to me now, "and a rich Mis' Eider, from the city, she adopted her, and
Gramma let her go. I guess it near killed Gramma to do it--but she'd
always been one to like nice things herself, and she couldn't get them,
so she see what it'd mean to Lyddy. Lyddy's got pretty proud, she's hed
so much to do with, but she comes back to see Gramma sometimes, I'll say
that for her. Didn't anybody else hev on anything new?"
"No," Hannah knew positively, "they all come out in the same old togs.
When the finger-bowl started I run up in the hall an' peeked down the
register, so's to see 'em pass out o' the room. Comp'ny clo'es don't
change much here in Friendship. Mis' Postmaster Sykes says yest'day,
when we was ironin': 'Folks,' she says, 'don't dress as much here in
Friendship as I wish't we did. Land knows,' Mis' Sykes says, '_I_ don't
dress, neither. But I like to see it done.'"
Calliope, who is sixty and has a rosy, wrinkled face, looked sidewise
down the long vista of the cooking-stove coals.
"Like to see it done!" she repeated. "Why, I get so raving hungry to see
some colored dress-goods on somebody seem's though I'd fly. Black and
brown and gray--gray and brown and black hung on to every woman in
Friendship. Every one of us has our clo'es picked out so everlastin'
_durable_."
Hannah sympathetically giggled with, "Don't they, though?"
"My grief!" Calliope exclaimed. "It reminds me, I got my mother's
calicoes down to pass 'round and I never thought to take them in."
She went to her new golden oak kitchen cabinet--a birthday gift to
Calliope from the Friendship church for her services at its organ--and
brought us her mother's "calicoes"--a huge box of pieces left from every
wool and lawn and "morning housework dress" worn by the Marshes, quick
and passed, and by their friends. Calliope knew them all; and I listened
idly while the procession went by us in sad-colored fabrics--"black and
brown and gray--gray and brown and black."
I think that my attention may have wandered a little, for I was recalled
by some slight stir made by Hannah Hager. She had risen and was bending
toward Calliope, with such leaping wistfulness in her eyes that I
followed her look. And I saw among the pieces, like a bright breast in
sober plumage, a square of chambray in an exquisite color of rose.
"Oh--" said little Hannah softly, "hain't that just _beauti_-ful?"
"Like it, Hannah?" Calliope asked.
"My!" said the little maid fervently.
"It was a dress Gramma Hawley made for Lyddy Eider when she was a little
girl," Calliope explained. "I dunno but what it was the last one she
made for her. Pretty, ain't it? Lyddy always seemed to hanker some after
pink. Gramma mostly always got her pink." Calliope glanced at Hannah,
over-shoulder. "Why don't you get a pink one for _then_?" she asked
abruptly; and, "When is it to be, Hannah?" she challenged her,
teasingly, as we tease for only one cause.
Public-domain text, read in full here on John Shaqi.
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