Peak and Prairie: From a Colorado Sketch-bookFuller, Anna
General
Peak and Prairie: From a Colorado Sketch-book
Fuller, Anna
Colorado -- Social life and customs -- Fiction; Frontier and pioneer life -- Fiction
Since then he had worked as if his life had depended upon it, and now,
after those ten days of fierce labor, his "job" was almost done. He had
worked his way well up into the canon, quite to the end of the distance
contracted for. A few days more would complete the job. He thought, with
a pang of regret, that his lines would never again fall in such glorious
places. He knew the canon by heart; he had seen it in every phase of its
summer beauty, by day and by night, in sunshine and in storm, and now
the autumn had come and the sensitive green of the aspens had turned to
yellow. They gleamed along the brook-side; they showed like an outcrop
of gold on the wall of rock over there, and in among the blue-green
pines; their yellow leaves strewed the ground on which he stood. It was
eight o'clock in the morning, and he was about to do his last blasting.
There was nobody up the canon, and nobody was likely to come from below
for an hour yet. The big boulder was not to thrust itself into the road
any more; another minute, and all that protruding side of it would be
blown off and there would be room for two teams to pass each other.
Hark! Was not that a horse's hoofs down below? He was already in the
act of "touching her off," holding the lighted match in the hollow of
his two hands. As he turned his head to listen, the fuse ignited with a
sharp _spit!_ scorching and blackening the palms of his hands, and
causing him to jump as violently as he used to do before his nerves were
trained to the business. Somewhat disgusted with his want of nerve, he
picked up his tools in a particularly leisurely manner, and deposited
them at a safe distance from the coming crash. Then, to make up for this
bit of bravado, he ran swiftly down the road,--"walluped" he said to
himself, thinking of Loretty's father,--and when he espied the horse, he
shouted and waved his arms in warning.
The horse stopped, and Wakefield slackened his pace. The moment he had
done so he recognized the rider. He was not conscious of any surprise at
seeing Dorothy Ray riding, all by herself, up the canon. He did not
pause to question as to how she got there, to wonder what she would
think of him, turned day-laborer. He felt nothing but an absolute
content and satisfaction in having her there before him; it seemed so
natural and so right that he did not see how it could have been
otherwise! He strode down the road to where she stood, and as she
dropped the bridle and held out both hands to him, he flung his old hat
away and clasped them in his powder-blackened palms.
"O Harry!" she cried with a joyful ring in her voice; "I never was so
glad to see anybody in my life!"
He did not say one word, but as he stood there, bareheaded, there was a
look in his face that gave her pause. Had she been too forward? Was he
so changed? She drew her hands away, and taking up the bridle, looked
uncertainly from side to side.
Public-domain text, read in full here on John Shaqi.
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