Peak and Prairie: From a Colorado Sketch-bookFuller, Anna
General
Peak and Prairie: From a Colorado Sketch-book
Fuller, Anna
Colorado -- Social life and customs -- Fiction; Frontier and pioneer life -- Fiction
Lem paused on his way to the kitchen, and observed her closely. He saw
the pink of her neck take on a deeper tinge, and at the same moment Bub
Quinn and Joe brushed past him and stood before the girl, each offering
her a plate on which reposed two sandwiches and a section of cucumber
pickle.
This was Aggy's opportunity. She shrugged her shoulders, which were
encased in red velveteen; she lifted and then dropped her eyes, poising
her head first on one side and then on the other; she clasped her hands
and wrinkled her forehead. Lem felt as though he were watching the
capricious sparks which mark the progress of a slow match toward a
powder-train. Bub Quinn, meanwhile, stood rooted before the girl, while
Joe, having possessed himself of the fallen fan, met her coquetry with
blandishments of the most undisguised nature. At length, hesitatingly,
deprecatingly, she took Quinn's plate, but at the same time she moved
along on the bench and offered Joe a seat. He promptly took it, and
Quinn went away with the calmness of a silently gathering thunder-cloud.
Quinn did not dance again that night; he withdrew to the piazza, where
he kept guard at the window hour after hour. Joe danced with no one but
Aggy, and sat beside her between whiles. Lem wandered about, trying not
to watch Quinn. He knew his brother too well to remonstrate with him
again by so much as a look.
As the night wore on, the hilarity of the company increased, nothing
daunted by the sight of a man lying here and there under a bench with a
telltale black bottle protruding from his pocket. When the favorite
figure of the "Bird in the Cage" was danced, and the caller-out shouted,
"Bird flies out, and the crow flies in," everybody in the room, cried
"Caw! caw!" in excellent imitation of the sable-hued fowl thereby
typified, and the dancers, conscious of an admiring public, "swung" and
"sashayed" with increased vehemence. Toward three o'clock Joe was again
dancing with Quinn's Aggy, and as the caller-out chanted:
"Swing that girl, that _pretty_ little girl,
That _girl_ you left _behind you_!"
he advanced toward her with an air of mock gallantry. At the same moment
Bub Quinn stalked into the middle of the set, a sombrero planted firmly
on his head, a long cowhide whip in his hand. He seized Aggy by the arm
with a grip that must have hurt her, and said, "I'm going home now; you
can do as you d---- please." A pistol-shot could not have made half the
sensation caused by this breach of etiquette; indeed, it would not have
been half so unprecedented. Aggy turned with a startled defiance, but at
sight of Quinn's face she recoiled.
"I'm all ready to go," she said sullenly; and too thoroughly cowed to
cast even a parting glance at Joe, she hurried away to get ready for her
twenty-mile drive. Joe, meanwhile, with perfect composure, provided
himself with another partner, and the dance went on. And so the
thunder-cloud had withdrawn, and the bolt had not fallen.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account