Peak and Prairie: From a Colorado Sketch-bookFuller, Anna
General
Peak and Prairie: From a Colorado Sketch-book
Fuller, Anna
Colorado -- Social life and customs -- Fiction; Frontier and pioneer life -- Fiction
Dirke waited for him to speak. Again he raised his hat, but this time
Dirke was on his guard and was not to be betrayed into any concession
to courtesy. There was a slight shrug of the shoulders as the Frenchman
replaced his hat. He spoke, however, in a conciliatory tone:
"It is a fine evening," he observed. "I have followed your example. I go
for a walk."
"You have followed me, you mean," said Dirke, bluntly. "I heard you
behind me."
Then, moved by a sudden impulse to precipitate matters, he drew his left
hand from his pocket. The diamonds flashed in the light.
M. de Lys's eyes flashed in response. With all his unabated elegance, he
had something the look of a tiger ready to spring upon his prey. But he
held himself in check.
"Monsieur!" he cried, and there was a savage note in his voice, which
Dirke would not have credited him with. "Monsieur! If you decline to
permit me to pay for that ring to-morrow, I am ready to _fight_ for it
to-night!" He pronounced the word "_fight_" with a peculiar, hissing
emphasis.
"Not to-night," Dirke rejoined quietly.
"And why not to-night, Monsieur, may I ask?"
"Because I am armed, and you are not."
At the word Dirke had drawn his right hand from his pocket; the barrel
of a pistol gleamed white between them.
The Frenchman recoiled. His face was not pleasant to look upon, yet his
antagonist would have been sorry to lose the sight of it.
Dirke stood, tall and slim and commanding, his face set in the
accustomed lines. No emotion whatever was to be seen there, not even
contempt for the man who shrank from sure death in such a cause. For
fully twenty seconds they faced each other in the glaring light of the
saloon, pent up passion visible in the one, invisible in the other. In
Dirke's face, and bearing, however, devoid as it was of any emotion, one
quality was but the more recognizable for that, and the count knew that
the man before him was available as an antagonist.
"Monsieur," he said, with strong self-control, "it is possible that you
do not understand--that you are not aware--that--Monsieur! The ring
which you are pleased to wear so--so--conspicuously is the property
of--The ring, Monsieur, is sacred to me!"
"Sacred!" Dirke repeated. "Sacred!" The word was an arraignment, not to
be overlooked.
"Monsieur!" the count cried.
"I was merely struck by your peculiar treatment of sacred things," Dirke
replied, his tone dropping to the level of absolute indifference. "It
is--unconventional, to say the least."
He lifted his hand and examined the ring with an air of newly aroused
interest. He wondered, half-contemptuously, at the man's self-control.
"Monsieur," he heard him say. "You are a gentleman; I perceive it
beneath the disguise of your vocation,--of your conduct. When I say to
you that the sight of that ring upon your finger compromises my
honor,--that it is an _insult_ to me,--you comprehend; is it not so?"
"Quite so," Dirke replied, with carefully studied offensiveness.
Public-domain text, read in full here on John Shaqi.
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