Pearl-Maiden: A Tale of the Fall of JerusalemHaggard, H. Rider (Henry Rider)
History
Pearl-Maiden: A Tale of the Fall of Jerusalem
Haggard, H. Rider (Henry Rider)
Historical fiction; Jerusalem -- History -- Fiction
“Alas, sir,” she replied, adroitly misunderstanding him, for Miriam did
not lack readiness, “in this poor work there is little to admire. I am
ashamed that you should look on the rude fashionings of a half-trained
girl, you who must have seen all those splendid statues of which I have
been told.”
“By the throne of Cæsar, lady,” he exclaimed in a voice that carried a
conviction of his earnestness, staring hard at the bust of Ithiel
before him, “as it chances, although I am not an artist, I do know
something of sculpture, since I have a friend who is held to be the
best of our day, and often for my sins have sat as model to him. Well,
I tell you this—never did the great Glaucus produce a bust like that.”
“I daresay not,” said Miriam smiling. “I daresay the great Glaucus
would go mad if he saw it.”
“He would—with envy. He would say that it was the work of one of the
glorious Greeks, and of no modern.”
“Sir,” said Ithiel reprovingly, “do not make a jest of the maid, who
does the best she can; it pains her and—is not fitting.”
“Friend Ithiel,” replied Marcus, turning quite crimson, “you must
indeed think that I lack manners who would come to the home of any
artist to mock his work. I say what I mean, neither more nor less. If
this bust were shown in Rome, together with yourself who sat for it,
the lady Miriam would find herself famous within a week. Yes,” and he
ran his eye quickly over various statuettes, some of them baked and
some in the raw clay, models, for the most part, of camels or other
animals or birds, “yes, and it is the same with all the rest: these are
the works of genius, no less.”
At this praise, to them so exaggerated, Miriam, pleased as she could
not help feeling, broke into clear laugher, which both Ithiel and
Nehushta echoed. Now, so wroth was he, the face of Marcus grew quite
pale and stern.
“It seems,” he said severely, “that it is not I who mock. Tell me,
lady, what do you with these things?” and he pointed to the statuettes.
“I, sir? I sell them; or at least my uncles do.”
“The money is given to the poor,” interposed Ithiel.
“Would it be rude to ask at what price?”
“Sometimes,” replied Ithiel with pride, “travellers have given me as
much as a silver shekel.[*] Once indeed, for a group of camels with
their Arabian drivers, I received four shekels; but that took my niece
three months to do.”
[*] About 2s. 6d. of English money.
“A shekel! Four shekels!” said Marcus in a voice of despair; “I will
buy them all—no, I will not, it would be robbery. And this bust?”
“That, sir, is not for sale; it is a gift to my uncle, or rather to my
uncles, to be set up in their court-room.”
An idea struck Marcus. “I am here for a few weeks,” he said. “Tell me,
lady, if your uncle Ithiel will permit it, at what price will you
execute a bust of myself of the same size and quality?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account