Pearl-Maiden: A Tale of the Fall of JerusalemHaggard, H. Rider (Henry Rider)
History
Pearl-Maiden: A Tale of the Fall of Jerusalem
Haggard, H. Rider (Henry Rider)
Historical fiction; Jerusalem -- History -- Fiction
“It would be dear,” said Miriam, smiling at the notion, “for the marble
costs something, and the tools, which wear out. Oh, it would be very
dear!” This she repeated, wondering what she could ask in her
charitable avarice. “It would be——” yes, she would venture it—“fifty
shekels!”
“I am poor enough,” replied Marcus quietly, “but I will give you two
hundred.”
“Two hundred!” gasped Miriam. “It is absurd. I could never accept two
hundred shekels for a piece of stonework. Then indeed you might say
that you had fallen among thieves on the banks of Jordan. No. If my
uncles will permit it and there is time, I will do my poor best for
fifty—only, sir, I advise you against it, since to win that bad
likeness you must sit for many weary hours.”
“So be it,” said Marcus. “As soon as I get to any civilised place I
will send you enough commissions to make the beggars in these parts
rich for life, and at a very different figure. Let us begin at once.”
“Sir, I have no leave.”
“The matter,” explained Ithiel, “must be laid before the Court of
Curators, which will decide upon it to-morrow. Meanwhile, as we are
talking here, I see no harm if my niece chooses to work a lump of clay,
which can be broken up later should the Court in its wisdom refuse your
request.”
“I hope for its own sake that the Court in its wisdom will not be such
a fool,” muttered Marcus to himself; adding aloud, “Lady, where shall I
place myself? You will find me the best of sitters. Have I not the
great Glaucus for a friend—until I show him this work of yours?”
“If you will, sir, be seated on that stool and be pleased to look
towards me.”
“I am your servant,” said Marcus, in a cheerful voice; and the sitting
began.
CHAPTER VIII
MARCUS AND CALEB
On the morrow, as he had promised, Ithiel brought this question of
whether or no Miriam was to be allowed to execute a bust of the
centurion, Marcus, before the Court of the Curators of the Essenes, who
were accustomed thus to consider questions connected with their ward’s
welfare in solemn conclave. There was a division of opinion. Some of
them saw no harm; others, more strait-laced, held that it was scarcely
correct that a Roman whose principles, doubtless, were lax, should be
allowed to sit to the lady whom they fondly called their child. Indeed,
it seemed dubious whether the leave would be given, until a curator,
with more worldly wisdom than the rest, suggested that as the captain
seemed desirous of having his picture taken in stone, under the
circumstances of his visit, which included a commission to make a
general report upon their society to the authorities, it might be
scarcely wise to deny his wish. Finally, a compromise was effected. It
was agreed that Miriam should be permitted to do the work, but only in
the presence of Ithiel and two other curators, one of them her own
instructor in art.
Public-domain text, read in full here on John Shaqi.
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