Atonement -- Fiction; Clergy -- England -- Fiction; Illegitimate children -- Fiction
The second invitation had been given with a wonderfully understanding
look--a look which seemed to sift the secrets of Gwynneth's heart--a
look she would not have cared to meet during the late season. She had
promised again, however, very gratefully indeed; and it was her second
promise that Gwynneth eventually kept.
"I had such a strong feeling about you," Mrs. Molyneux wrote by return.
"I knew that I should hear from you sooner or later . . . I like your
frankness in saying that it is no fine impulse, or love of nursing for
its own sake, that makes you wish to come. I do not seek to know what it
is. Even if you are no nurse you can play the organ in our little chapel
as it has not been played yet; and that would be very much to me. So
come any day and make your home with us at least for a time." The writer
contrived to refer to herself as "Reverend Mother," in emphatic
capitals, and her letter was signed "Constance Molyneux, Mother in God."
It happened that Gwynneth had spoken of Mrs. Molyneux to her aunt, who
knew a good name when she heard it, and had often asked Gwynneth if she
was not going to pay that call on Campden Hill; thus her recklessness in
casting herself among strangers was more apparent than real, and little
likely to aggravate her prime offence against kith and kin. Nor did it;
nevertheless it was a plunge into all but unknown waters. The hospital
was a private one, and Mrs. Molyneux both spoke and wrote of it as her
own. It was a cancer hospital for women, evidently run upon religious
lines, and those not easy to define, since Gwynneth happened to know
that the Reverend Mother was not a Roman Catholic. And these things were
all she did know when her hansom drew up before a red-brick building
with ecclesiastical windows, and a cross over the door, in a leafy road
not five minutes' climb from Kensington High Street.
Gwynneth pulled the wrought-iron bell-handle, and next moment caught her
breath. The door had been opened by a portress in austere but becoming
garb, a young girl like herself, and the pretty face between the quaint
cap and collar was smiling a sweet greeting to the newcomer. A few worn
steps of snowy stone, and a Gothic doorway, with the oak door standing
open, showed more girls within against the wainscot; all were pretty;
and all wore blue serge, with white aprons and long cambric cuffs,
square bib-collars trimmed with lace, and Normandy caps with streamers
of fine lawn. Gwynneth blushed for her own conventional attire, as she
was ushered through this hall, past a dispensary where another of the
uniformed girls was busy among the bottles, and so into the presence of
the Reverend Mother.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account