Atonement -- Fiction; Clergy -- England -- Fiction; Illegitimate children -- Fiction
Gwynneth tried hard to lift up her heart in this strange sanctuary. She
longed for real religion as she had longed for little in her life
before. At the first blush, it seemed as though Providence alone could
have led her into so unique a haven of equal sanctity and usefulness;
and yet, also from the first, the girl was repelled a little if
attracted more. She liked her work; she was a natural nurse, and soon
grew used, but never hardened, to hopeless suffering and slow death.
There were patients who loved Gwynneth, and not a nurse who was not fond
of her, before she had been at St. Hilda's a month. Already she was
playing the organ at all three services, and her own music, and the
voices floating up to her, at these set times, filled her heart with
peace; but she wondered if it was the right kind of peace; she wondered
whether this was religion at all. Sometimes the sweet little chapel--for
it was all that to Gwynneth's mind--struck her also as a stage of
studied effects. The nurses were so pretty, their garb so becoming, and
the blue of it had such a perfect foil in the maid-servants' pink. But
then the Reverend Mother, in her sombre supremacy, gradually revealed
herself as the superb mistress of deliberate effect; and a strange study
Gwynneth found her; of foibles and fascination all compact; at once
subtle, simple, vain, and noble. It appeared that Mrs. Molyneux was an
extremely wealthy widow, whose one consoling hobby was this anomalous
retreat upon Campden Hill.
The patients paid nothing; the nurses received nothing; it was a retreat
for both, and Gwynneth was not the only one who had sought it
primarily, and frankly, for peace of mind and salvation from self. Her
hands at least were not the less tender and untiring on that account.
Some of her capped and cuffed comrades were no older than herself; many
were refreshingly frivolous, and properly free from care. Gwynneth's
chief crony was Nurse Ella, a bright young widow, who wore spectacles,
and declared herself unable to understand what the Reverend Mother had
ever seen in her, as she was neither pretty nor religious, nor as young
as the rest.
Nurse Ella had, however, a shrewd wit and a sharp tongue; made wicked
fun of the Mother's sacerdotal pretensions when alone with Gwynneth; and
thus stimulated the latter to think for herself, if only to refute her
friend's arguments. Nurse Ella was above all things an extraordinarily
decided character, aggressively so in immaterial issues, but good for
Gwynneth by that very fact.
Public-domain text, read in full here on John Shaqi.
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