Atonement -- Fiction; Clergy -- England -- Fiction; Illegitimate children -- Fiction
The artist was dead in Carlton for that night. He rose a very miserable
sinner, every thought a whip for his poor spirit that had dared to come
to life without leave. He had committed deadly sin with deadliest
result; let him never forget it! He, God's servant----the morbid
rehearsal may be spared. But he did not spare himself. All the
aggravating circumstances were recalled, none that extenuated; all that
he had suffered he must needs suffer anew, slowly, deliberately, and in
due order; that he might not forget, that he might never forget again!
Now he was confessing to Musk, now to George Mellis; poor George, where
was he? Now they were breaking his windows, and now Tom Ivey was
refusing his hand. But at last he was before the bishop; that strong,
queer voice was croaking across the desk; and all at once the croak
ended, and the voice rang like a sovereign with words of refined gold.
"Courage, brother! Pray without ceasing. Look forward, not back; do not
despair. Despair is the devil's best friend; better give way to deadly
sin than to deadlier despair!"
And he prayed again; but not in the house.
"For I will look forward," he said as he went. "But let me never again
forget!"
There was neither wind nor moon. The sparrows were still, but not the
shrill little swifts. And somewhere a thrush was singing, clear and
mellow and certain as a bell; and once a bat's wing brushed the bowed
bare head of him who prayed not for forgiveness but for the peace of a
soul; for neither was it in the ruins that Robert Carlton knelt once
more.
XIV
THE LAST RESORT
Carlton chose a fresh stone from the heap; he was going to begin all
over again. He got it in his arms, and he managed to stagger with it to
the front of the shed. The stone was at least two feet long, and its
other dimensions were about half that of the length; as Carlton set it
down, himself all but on the top of it, he trusted it was the largest
size in the heap. It was of a rich reddish yellow, roughly rectangular,
but lumpy as ill-made porridge, exactly as it had come from the quarry.
Carlton tilted it up against a smaller stone, smooth enough in parts,
but palpably untrue in its planes and angles. This was the stone that he
had been all day spoiling; it had been as big as the new one that
morning, when he had begun upon it with a view to the lower eleven-inch
courses; and now he had failed to make even a six-inch job of it. The
stone was so soft. It cut like cheese. But he was not going to spoil
another.
Public-domain text, read in full here on John Shaqi.
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