So I got some telegraph blanks and envelopes, and I have written messages from the show managers, twice a day. The morning message would tell about the business of the day before, and how they missed pa. Then I would add something like this: "The farmers around Olathe are all inquiring for you," or "The farmers around Topeka wish you were here, 'cause they want to give you a reception," or "About 200 farmers at Parsons think we ought to let them in free, on account of being old friends of yours." The last one broke pa all up. The message said: "Many farmers from Atchison are going to come with us to Kansas City to confer with you on an old matter of business." Pa jumped like a box car off the track, and wanted the doctors to send him to a hospital at St. Louis, and he told the doctors the reason, but they cheered him up by saying that if any mob came to the hospital after him, they would hide him in the pickling vat, and make the mob believe he was dead. That is the way it stands now. But pa is not so darn happy as I have seen him, though I try to do all I can to keep his mind off his trouble. I tell him as long as his conscience is clear, he is all right, but he says: "But, Hennery, that's the trouble; it ain't clear. Well, let us have peace, at any price." [Illustration: Pa Jumped Like a Box Car.] CHAPTER XXV. Pa Breaks in the Zebras and Drives a Six-in-Hand Team in the Parade--The Freaks Have a Narrow Escape from Drowning. Pa is stuck on the zebras. I do not know what there is about a zebra unless it is the wail paper effects of his exterior decoration that should make a man leave all the other animals and cleave unto the zebra, but pa has been putting in his leisure time all summer breaking the zebras to harness, and driving them single and double in the ring Sundays. Everybody about the show knew pa was going to spring some surprise on us. I have tried to reason pa out of his unnatural infatuation for zebras, but you might as well talk to a rich old man who gets stuck on a chorus girl, and gives her all his money, and has to go and live at the poor house. A zebra always looks to me like a joke that nature has played. Who, but nature, would ever think of laying out a plan for a zebra, and painting it in stripes, like a barber's pole, and yet we must admit that few human artists could paint a million zebras and get the stripes on as perfect as nature does with her eyes shut. The mule and the zebra are distant relatives, 'cause lots of mules have a few stripes on their legs, but the zebra is the eldest son who is aristocratic and inherits the stuff, while the mule is the younger son who never gets a look in for the money, but has to work for a living. So it is no wonder to me that the mule kicks. The zebra is the dude of the family, and the mule looks up to him, when he ought to kick his slats in, and rub out his stripes with a mule shoe eraser.