Peculiar: A Tale of the Great TransitionSargent, Epes
History
Peculiar: A Tale of the Great Transition
Sargent, Epes
African Americans -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
“I dreamed that a beautiful lady led me by the hand into a spacious
garden. On one side were fruits, and on the other side flowers, and in
the middle a circle of brilliant verbenas from the centre of which rose
a tall fountain, fed from a high hill in the neighborhood. And the lady
said, ‘This is your garden, and your name is not Ellen Murray.’ Then she
gave me a letter sealed with blue—no, gray—wax, and said, ‘Put this
letter on your eyes, and you shall find it there when you wake. Some one
will open it, and your name will be seen written there, though you may
not understand it at first.’ ‘But am I not awake?’ I asked. ‘O no,’ said
the lady. ‘This is all a dream. But we can sometimes impress those we
love in this way.’ ‘And who are you?’ I asked. ‘That you will know when
you interpret the letter,’ she said.”
“And what resulted from the dream?”—“The moment I waked I put my hand on
my eyes. Of course I found no letter. The next night the lady came
again, and said, ‘The seal cannot be broken by yourself. Your name is
not Ellen Murray,—remember that.’ A third night this dream beset me, and
so forcibly that I resolved to get rid of the name as far as I could.
And so I made my friends call me Darling.”
“Well, Darling, as you—”—“O, but, sir! _you_ must not call me Darling.
That would never do!”—“What _can_ I call you, then?”—“Call me Miss, or
Mademoiselle.”—“Well, Miss.”—“No, I do not like the sibilation.”—“Will
_Ma’am_ do any better?”—“Not till I’m more venerable. Call me
Perdita.”—“Perdita what?”—“Perdita Brown,—yes, I love the name of
Brown.”
“Well, Perdita, as you’ve not quite made up your mind to seek the
protection of Miss Tremaine, my advice is that you remain here till
to-morrow. Here is a little case filled with books; and on the shelf of
the closet is plenty of old music,—works of Handel, Mozart, Beethoven,
Mendelssohn, Schubert, and some of the Italian masters. Do you play
Schubert’s Sacred Song?”—“I never heard it.”—“Learn it, then, by all
means. ’T is in that book. Shall I tell Mrs. Bernard you’ll pass the
night here?”—“Do, sir. I’m very grateful for your kindness.”—“Good by,
Perdita! Should anything detain me to-morrow, wait till I come. Keep up
your four hours’ practice. Madame Bernard is amiable, but a little
talkative. I shall tell her to allow you five hours for your studies.
Adieu, Perdita!”
He held out his hand, and Clara gave hers, and cast down her eyes.
“You’ve told me a true story?” said he. “Yes! I will trust you.”
“Indeed, sir, I’ve told you nothing but the truth.”
Yes. She had told the truth, but unhappily not the _whole_ truth. And
yet how she longed to kneel at his feet and confess all! Various motives
withheld her. She was not quite sure how he had received her antislavery
confessions. He might be a friend of Mr. Ratcliff. There was dismay in
the very possibility. And finally a certain pride or prudence restrained
her from throwing herself on the protection of a stranger not of her own
sex.
Public-domain text, read in full here on John Shaqi.
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