Peculiar: A Tale of the Great TransitionSargent, Epes
History
Peculiar: A Tale of the Great Transition
Sargent, Epes
African Americans -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
“Yes. Mrs. Gentry’s school, which I’ve just left, is one of the most
select in the city. Here’s her card.”—“But are her pupils all from the
best families?”—“I believe so. Indeed, I know the families of all except
one.”—“And who is _she_?”—“Her name is Ellen Murray, but I call her
Darling. I think she must be preparing either for the opera or the
ballet; for in music, singing, and dancing she’s far beyond the rest of
us.”—“And behind you in the other branches, I suppose.”—“I’m afraid not.
She won’t be kept back. She must have given twice the time to study that
any of the rest of us gave.”—“Does she seem to be of gentle
blood?”—“Yes; though Mrs. Gentry tells us she is low-born. For all that,
she’s quite pretty, and knows more than Madame Groux herself about
dress. And so Darling and I, in spite of Mrs. Gentry, were getting to be
quite intimate, when we quarrelled on the slavery question, and
separated.”—“What! the little miss is a politician, is she?”—“Oh! she’s
a downright Abolitionist!—talks like a little fury against the wrongs of
slavery. I couldn’t endure it, and so cast her off.”—“Bring her to me.
I’ll convert her in five minutes.”—“O you vain man! But I wish you could
hear her sing. Such a voice!”—“Couldn’t you give me an opportunity? You
shouldn’t have quarrelled with her, Miss Tremaine! It rather amuses me
that she should talk treason. Why not arrange a little musical party?
I’ll come and play for you a whole evening, if you’ll have Darling to
sing.”—“O, that would be so charming! But then Darling and I have
separated. We don’t speak.”—“Nonsense! Miss Laura Tremaine can afford to
offer the olive-branch to a poor little outcast.”—“To be sure I can, Mr.
Vance! And I’ll have her here, if I have to bring her by
stratagem.”—“Admirable! Just send for me as soon as you secure the bird.
And keep her strictly caged till I can hear her sing.”—“I’ll do it, Mr.
Vance. Even the dragon Gentry shall not prevent it.”—“Shall I try the
new piano?”—“O, I’ve been so longing to hear you!”
And Vance, seating himself at the instrument, exerted himself as he had
rarely done to fascinate an audience. Laura, who had taste, if not
diligence, in music, was charmed and bewildered. “How delightful! How
very delightful!” she exclaimed. Vance was growing dangerous.
At that moment the servant entered with two cards.
“Did you tell them I’m in?”—“Yes, Mahmzel.”
“Well, then,” said Laura, with an air of disappointment, “show them up.”
And handing the cards to Vance, she asked, “Shall I introduce them?”
“Mr. Robert Onslow,—Charles Kenrick. Certainly.”
The young men entered, and were introduced.
Kenrick drew near, and said: “Mr. Vance, allow me the honor of taking
you by the hand. I’ve heard of the poor fellow you rescued from the
halter of Judge Lynch. In the name of humanity, I thank you. That poor
ragged declaimer merely spoke my own sentiments.”
“Indeed! What did he say?”
Public-domain text, read in full here on John Shaqi.
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