Peculiar: A Tale of the Great TransitionSargent, Epes
History
Peculiar: A Tale of the Great Transition
Sargent, Epes
African Americans -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
“I confess I’ve my prejudices against it,” replied Clara. “But these
charges of woman-whipping, you know, are Abolition lies.”
“Yes, so Northern conservatives say; but we of the plantations know that
nearly one half the whippings are of women.”[29]
“Come! Sink the shop!” cried Laura. “Are we so dull we can’t find
anything but our horrible _bête noir_ for our amusement? Let us have
scandal, rather; nonsense, rather! Tell us a story, Mr. Kenrick.”
“Well; once on a time—how would you like a ghost-story?”
“Above all things. Charming! Only ghosts have grown so common, they no
longer thrill us.”
“Yes,” said Kenrick,—whose trivial thoughts ever seemed to call up his
serious,—“yes; materialism has done a good work in its day and
generation. It has taught us that the business of this world must go on
just as if there were no ghosts. The supernatural is no longer an
incubus and an oppression. Its phenomena no longer frighten and
paralyze. Let us, then, since we are now freed from their terrors,
welcome the great facts themselves as illumining and confirming all that
there is in the past to comfort us with the assurance of continuous life
issuing from seeming death.”
“Dear Mr. Kenrick, is this a time for a lecture?” expostulated Laura.
“Aren’t you bored, Perdita?”
“On the contrary, I’m interested.”
“What do you think of spiritualism, Miss Brown?”
“I’ve witnessed none of the phenomena, but I don’t see why the testimony
of these times, in regard to them, shouldn’t be taken as readily as that
of centuries back.”
“My father is a believer,” said Onslow; “and I have certainly seen some
unaccountable things,—tables lifted into the air,—instruments of music
floated about, and played on without visible touch,—human hands,
palpable and warm, coming out from impalpable air:—all very queer and
very inexplicable! But what do they prove? _Cui bono?_ What of it all?”
“‘Nothing in it!’ as Sir Charles Coldstream says of the Vatican,”
interposed Laura.
“You demand the use of it all,—the _cui bono_,—do you?” retorted
Kenrick. “Did it ever occur to you to make your own existence the
subject of that terrible inquiry, _cui bono_?”
“Certainly,” replied Onslow, laughing; “my _cui bono_ is to fight for
the independence of the new Confederacy.”
“And for the propagation of slavery, eh?” returned Kenrick. “I don’t see
the _cui bono_. On the contrary, to my fallible vision, the world would
be better off without than with you. But let us take a more extreme
case. These youths—Tom, Dick, and Harry—who give their days and nights,
not to the works of Addison, but to gambling, julep-drinking, and
cigar-smoking,—who hate and shun all useful work,—and are no comfort to
anybody,—only a shame and affliction to somebody,—can you explain to me
the _cui bono_ of their corrupt and unprofitable lives?”
“But how undignified in a spirit to push tables about and play on
accordions!”
Public-domain text, read in full here on John Shaqi.
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