Peculiar: A Tale of the Great TransitionSargent, Epes
History
Peculiar: A Tale of the Great Transition
Sargent, Epes
African Americans -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
“Then a strong military government. Having our slaves to work for us, we
shall become the greatest martial nation in the world. Our poor whites,
now a weakness and a burden, we will convert into soldiers and Cossacks;
excepting the artisan and trading classes, and them we must
disfranchise.”[32]
“Can we expect aid from England?” asked Onslow.
“Not open aid, but substantial aid nevertheless. Exeter Hall may
grumble. The _doctrinaires_, the Newmans, Brights, Mills, and Cobdens
may protest and agitate. The English clodhoppers, mudsills, and workies
of all kinds will sympathize of course with the low-born Yankees. But
the master race of England, the non-producers, will favor the same class
here. The disintegration of North America into warring States is what
they long to see. Already the English government is swift to hail us as
belligerents. Already it refuses what it once so eagerly proffered,—an
international treaty making privateering piracy. Soon it will let us fit
out privateers in English ports. Yes, England is all right.”
Here a slave-boy announced dinner, and they entered a smaller but lofty
apartment, looking out on a garden, and having its two open windows
pleasantly latticed with grape-vines. A handsome, richly dressed
quadroon lady sat at the table. In introducing his young guest, Ratcliff
addressed her as Madame Volney.
Onslow, in his innocence, inquired after Mrs. Ratcliff.
“My wife is an invalid, and rarely quits her room,” said the host.
The dinner was sumptuous, beginning with turtle-soup and ending with
ices and fruits. The costliest Burgundies and Champagnes were uncorked,
if only for a sip of their flavors. Madame Volney, half French, was
gracious and talkative, occasionally checking Ratcliff in his eating,
and warning him to be prudent. At last cigars were brought on, and she
left the room. Ratcliff rose and listened at the door, as if to be sure
she had gone up-stairs. Then, walking on tiptoe, he resumed his seat. He
alluded to the opera,—to the ballet,—to the subject of pretty women.
“And _apropos_ of pretty women,” he exclaimed, “let me show you a
photograph of one I have in my pocket.”
As he spoke, there was a rustling in the grape-vines at a window. He
turned, but saw nothing.
Onslow took the photograph, and exclaimed: “But this is astonishing!
I’ve a copy of the same in my pocket.”
“You surprise me, Captain. Do you know the original?”
“Quite well; and I grant you she’s beautiful.”
Onslow did not notice the expression of Ratcliff’s face at this
confession, but another did. Lifting a glass of Burgundy so as to help
his affectation of indifference, “Confess now, Captain,” said Ratcliff,
“that you’re a favorite! That delicate mouth has been pressed by your
lips; those ivory shoulders have known your touch.”
Public-domain text, read in full here on John Shaqi.
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