Peculiar: A Tale of the Great TransitionSargent, Epes
History
Peculiar: A Tale of the Great Transition
Sargent, Epes
African Americans -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
After various fruitless attempts to establish himself in some lucrative
employment, he made his _début_, under an assumed name, at the Park
Theatre, in the character of Douglas, in Home’s once famous tragedy of
that name. My father’s choice of this part is suggestive of the moderate
but respectable character of his success. He played to the judicious
few; but their verdict in his favor was not sufficiently potent to make
him a popular actor. He soon had to give up the high starring parts, and
to content himself with playing the gentleman of comedies or the second
part in tragedies. In this humbler line he gained a reputation which has
not yet died out in theatrical circles. He could always command good
engagements for the theatrical season in respectable stock-companies. He
was fulfilling one of these engagements in New Orleans when I was born.
A month afterwards he ended his career in a manner that sent a thrill
through the public heart. He was one evening playing Othello for his own
benefit. Grateful for a crowded house, he was putting forth his best
powers, and with extraordinary success. Never had such plaudits greeted
and inspired him. The property-man, whose duty it is to furnish all the
articles needed by the actor, had given him at rehearsal a blunted
dagger, so contrived with a spring that it seemed to pierce the breast
when thrust against it. At night this false dagger was mislaid, and the
property-man handed him a real one, omitting in the hurry of the moment
to inform him of the change. In uttering the closing words of his part,—
“I took by the throat the circumci-sed dog,
And smote him _thus_,”—
my father inflicted upon himself, not a mimic, but a real stab, so
forcible that he did not survive it ten minutes.
Great was my mother’s anguish at her loss. She was not left utterly
destitute. My father had not fallen into the besetting sins of the
profession. He saw in it a way to competence, if he would but lead a
pure and thrifty life. In the seven years he had been on the stage he
had laid up seven thousand dollars. Pride would not let him allow my
mother to labor for her support. But now she gladly accepted from the
manager an offer of twenty-five dollars a week as “walking lady.” On
this sum she contrived for seventeen years to live decently and educate
her son liberally.
At last sickness obliged her to give up her theatrical engagement. She
had invested her seven thousand dollars in bonds of the Planters’ Bank
of Mississippi, to the redemption of which the faith of that State was
pledged. The repudiation of the bonds by the State authorities, under
the instigation of Mr. Jefferson Davis, deprived her of her last
resource. Impoverished in means, broken in health, and unable to labor,
she fell into a decline and died.
Public-domain text, read in full here on John Shaqi.
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