“You should say your hand,” said the Frenchman. “Pardon me,” answered the gallant old beau; “I say, with your brave countryman when he lost his legs in battle, and was asked by a lady, like the one who now leans on me, whether he would not sooner have lost his arms? ‘No, Madam,’ said he, (and this, Monsieur le Comte, is the answer I give to your rebuke) ‘I want my hands to guard my heart.’” Finding our little knot was now broken up, I went into another part of the room, and joined Vincent, Lady Roseville, Ellen, and one or two other persons who were assembled round a table covered with books and prints. Ellen was sitting on one side of Lady Roseville; there was a vacant chair next her, but I avoided it, and seated myself on the other side of Lady Roseville. “Pray, Miss Glanville,” said Lord Vincent, taking up a thin volume, “do you greatly admire the poems of this lady?” “What, Mrs. Hemans?” answered Ellen. “I am more enchanted with her poetry than I can express: if that is ‘The Forest Sanctuary’ which you have taken up, I am sure you will bear me out in my admiration.” Vincent turned over the leaves with the quiet cynicism of manner habitual to him; but his countenance grew animated after he had read two pages. “This is, indeed, beautiful,” said he, “really and genuinely beautiful. How singular that such a work should not be more known; I never met with it before. But whose pencil marks are these?” “Mine, I believe,” said Ellen, modestly. “Well,” said Lady Roseville, “I fear we shall never have any popular poet in our time, now that Lord Byron is dead.” “So the booksellers say,” replied Vincent; “but I doubt it: there will be always a certain interregnum after the death of a great poet, during which, poetry will be received with distaste, and chiefly for this reason, that nearly all poetry about the same period, will be of the same school as the most popular author. Now the public soon wearies of this monotony; and no poetry, even equally beautiful with that of the most approved writer, will become popular, unless it has the charm of variety. It must not be perfect in the old school, it must be daring in a new one;--it must effect a through revolution in taste, and build itself a temple out of the ruins of the old worship. All this a great genius may do, if he will take the pains to alter, radically, the style he may have formed already. He must stoop to the apprenticeship before he aspires to the mastery. C’est un metier que de faire un livre comme de faire une pendule.”