Sylvia went home with it in the pocket of her quilted petticoat under
her dress skirt. She kept feeling of it to see if it were safe as she
walked along. The snow was quite deep, the road was not well broken
out, and she plodded forward with bent head, her black skirt
gathering a crusty border of snow.
She had to pass Richard Alger's house, but she never looked up. It
was six o'clock, and quite dark; it had been dark when she set out at
five. The housewives were preparing supper; there was a smell of
burning pine-wood in the air, and now and then a savory scent of
frying meat. Sylvia had smelled brewing tea and baking bread in
Squire Payne's house, and she had heard old Margaret, the Scotch
woman who had lived with the squire's family ever since she could
remember, stepping around in another room. Old Margaret was almost
the only servant, the only regular and permanent servant, in
Pembroke, and she enjoyed a curious sort of menial distinction: she
dressed well, wore a handsome cashmere shawl which had come from
Scotland, and held her head high in the squire's pew. People saluted
her with respect, and her isolation of inequality gave her a reversed
dignity.
Sylvia had hoped Margaret would not come in while she sat with the
squire. She was afraid of her eyes, which flashed keen like a man's
under shaggy brows. She did not want her to see the squire counting
out the money from his leather purse, although she knew that Margaret
would keep her own counsel.
She had been glad enough to escape and not see her appear behind the
bulk of the squire in the doorway. Squire Payne was full of laborious
courtesy, and always himself aided Sylvia to the door when she came
for money, and that always alarmed her. She would drop a meek
courtesy on trembling knees and hurry away.
Sylvia had almost reached the old road leading to her own house, when
she saw a figure advancing towards her through the dusk. She saw it
was a woman by the wide swing of the skirts, and trembled. She felt a
presentiment as to who it was. She held her head down and well to one
side, she bent over and tried to hurry past, but the figure stopped.
"Is that you, Sylvy Crane?" said her sister, Hannah Berry.
Sylvia did not stop. "Yes, it's me," she stammered. "Good-evenin',
Hannah."
She tried to pass, but Hannah stood in her way. "What you hurryin' so
for?" she asked, sharply; "where you been?"
"Where _you_ been?" returned Sylvia, trembling.
Public-domain text, read in full here on John Shaqi.
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