Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
You excel, I think, peculiarly in avoiding what is commonly called
_fine-writing_,--a sort of writing which I detest; which calls the
attention away from the _thing_ to the _manner_, from the feeling
to the language; which sacrifices every thing to the sound, to the
mere rounding of a period; which mistakes _stage effect_ for nature.
All who are at all used to writing know and detect the _trick of the
trade_ immediately; and, speaking for myself, I _know_ that the writing
which has least the appearance of literary _manufacture_, almost
always pleases me the best. It has more originality; in narration
of fictitious events, it most surely succeeds in giving the idea of
reality, and in making the biographer, for the time, pass for nothing.
But there are few who can, in this manner, bear the _mortification_
of staying behind the scenes. They peep out eager for appearance, and
destroy the illusion by crying, _I_ said it, _I_ wrote it, _I_ invented
it all! Call me on the stage and crown me directly!
MARIA EDGEWORTH: _Letter to Mrs. Inchbald_, quoted in ‘A Study of Maria
Edgeworth.’
* * * * *
[Sidenote: Effect of the ‘Moral Tales.’]
Miss Edgeworth has done more good both to the higher and lower world
than any writer since the days of Addison. She shoots at “folly as
it flies,” with the strong bolt of ridicule, and seldom misses her
aim. Much as I admire the polished satire and nice discrimination of
character in the ‘Tales of Fashionable Life,’ I prefer the homely
pathos and plain morality of her ‘Popular Tales.’ The story of Rosanna
is particularly delightful to me; and that of ‘To-morrow,’ made so deep
an impression on my mind, that, if it were possible for any earthly
power to reform a procrastinator, I really think that tale would have
cured me of my evil habits.... I delight in her works for the same
reason that you admire them--her exquisite distinction of character;
whereas I am convinced that at least nine-tenths of her readers are
caught solely by the humor of her dialogue and the liveliness of her
illustrations.
MARY RUSSELL MITFORD: _Letter to Sir William Elford_, in the former’s
‘Life,’ by L’Estrange.
* * * * *
[Sidenote: Too didactic.]
Public-domain text, read in full here on John Shaqi.
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