Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
In her family and among her old friends Jane Austen was unsurpassed as
a tender sick-nurse, an untiring confidante, and a wise counsellor....
During her whole life she remained to a great extent engrossed by the
interests of her family and their limited circle of old and intimate
friends. This was as it should be--so far, but there may be too much of
a good thing. The tendency of restricted family parties and sets--when
their members are above small bickerings and squabblings--when they are
really superior people in every sense, is to form ‘mutual admiration’
societies, and neither does this more respectable and amiable weakness
act beneficially upon its victims.... Fondly loved and remembered as
Jane Austen has been, with much reason among her own people, in their
considerable ramifications, I cannot imagine her as greatly liked, or
even regarded with anything save some amount of prejudice, out of the
immediate circle of her friends, and in general society.... What I mean
is, that she allowed her interests and sympathies to become narrow,
even for her day, and that her tender charity not only began, but
ended, in a large measure, at home.
SARAH TYTLER: ‘Jane Austen and Her Works.’
* * * * *
[Sidenote: Her letters.]
The style is always clear, and generally animated, while a vein of
humor continually gleams through the whole; but the materials may be
thought inferior to the execution, for they treat only of the details
of domestic life. There is in them no notice of politics or public
events; scarcely any discussions on literature, or other subjects of
general interest. They may be said to resemble the nest which some
little bird builds of the materials nearest at hand, of the twigs
and mosses supplied by the tree in which it is placed; curiously
constructed out of the simplest matters.... Her letters scarcely ever
have the date of the year, and are never signed with her Christian name
at full length.
Happy would the compositors for the press be if they had always so
legible a manuscript to work from. But the writing was not the only
part of her letters which showed superior handiwork. In those days
there was an art in folding and sealing. No adhesive envelopes made all
easy. Some people’s letters always looked loose and untidy; but her
paper was sure to take the right folds, and her sealing-wax to drop
into the right place.
[Sidenote: A steady hand.]
Public-domain text, read in full here on John Shaqi.
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