Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
When I was young, it was not thought proper for young ladies to study
very conspicuously; and especially with pen in hand. Young ladies (at
least in provincial towns) were expected to sit down in the parlor to
sew--during which reading aloud was permitted--or to practise their
music; but so as to be fit to receive callers, without any signs of
blue-stockingism which could be reported abroad. Jane Austen herself,
the queen of novelists, the immortal creator of Anne Elliott, Mr.
Knightley, and a score or two more of unrivalled intimate friends of
the whole public, was compelled by the feelings of her family to cover
up her manuscripts with a large piece of muslin work, kept on the table
for the purpose, whenever any genteel people came in.
HARRIET MARTINEAU: ‘Autobiography.’ Boston: Houghton, Mifflin & Co.,
1877.
* * * * *
[Sidenote: Affection for her own characters.]
I want to tell you that I have got my own darling child [‘Pride and
Prejudice’] from London.... Miss B. dined with us on the very day of
the book’s coming, and in the evening we fairly set at it, and read
half the first volume to her, prefacing that, having intelligence from
Henry that such a work would soon appear, we had desired him to send
it whenever it came out, and I believe it passed with her unsuspected.
She was amused, poor soul! _That_ she could not help, you know, with
two such people to lead the way, but she really does seem to admire
Elizabeth. I must confess that I think her as delightful a creature as
ever appeared in print, and how I shall be able to tolerate those who
do not like _her_ at least I do not know.
JANE AUSTEN: _Letter to her sister Cassandra_, quoted in ‘Memoir,’ by
Austen-Leigh.
* * * * *
[Sidenote: Individuality of her characters.]
She certainly took a kind of parental interest in the beings whom she
had created, and did not dismiss them from her thoughts when she had
finished her last chapter. When sending a copy of ‘Emma’ to a friend
whose daughter had been lately born, she wrote thus:--“I trust you
will be as glad to see my ‘Emma,’ as I shall be to see your Jemima.”
She was very fond of ‘Emma,’ but did not reckon on her being a general
favorite; for, when commencing that work, she said: “I am going to take
a heroine whom no one but myself will much like.” She would, if asked,
tell us many little particulars about the subsequent career of some of
her people.
Public-domain text, read in full here on John Shaqi.
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