Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
In reading the Life of Miss Mitford, which the Rev. Mr. L’Estrange has
compiled from her letters, it is interesting to mark the development
of her character by her misfortunes. The indolent, novel-devouring
young lady of Bertram House, with her school-girlish conceit, is a
far less lovable person than the self-sacrificing woman who toiled
uncomplainingly for a spend-thrift father in the cottage at Three Mile
Cross. As was said of her, on the occasion of her accident, by one of
her correspondents, she was “like mignonette, the sweeter the more it
is bruised.”
Her criticism was singularly capricious. For instance, she calmly
pronounced ‘Henry Esmond’ commonplace; the adjective recoils upon
her own work. Commonplace the latter is, but in the same pleasant
sense in which sweet fresh air, and primroses, and cowslips, and the
meadow-sweet she loved, are commonplace.
* * * * *
[Sidenote: Precocity.]
In common with many only children, especially where the mother is of
a grave and home-loving nature, I learned to read at a very early
age. Before I was three years old my father would perch me on the
breakfast-table to exhibit my one accomplishment to some admiring
guest, who admired all the more, because, a small, puny child, looking
far younger than I really was, nicely dressed, as only children
generally are, and gifted with an affluence of curls, I might have
passed for the twin sister of my own great doll. On the table was
I perched to read some Foxite newspaper, ‘_Courier_,’ or ‘_Morning
Chronicle_,’ the Whiggish oracles of the day, and as my delight in the
high-seasoned politics of sixty years ago was naturally less than that
of my hearers, this display of precocious acquirement was commonly
rewarded, not by cakes or sugar-plums, too plentiful in my case to
be very greatly cared for, but by a sort of payment in kind. I read
leading articles to please the company; and my dear mother recited ‘The
Children in the Wood’ to please me. This was my reward; and I looked
for my favorite ballad after every performance just as the piping
bull-finch that hung in the window looked for his lump of sugar after
going through ‘God Save the King.’
[Sidenote: Early home.]
Public-domain text, read in full here on John Shaqi.
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