Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
* * * * *
[Sidenote: Miss Mitford in 1839.]
Our coachman (who, after telling him that we were Americans, had
complimented us on speaking English, and “very good English, too,”)
professed an acquaintance of some twenty years’ standing with Miss M.,
and assured us that she was “one of the dearest women in England,” and
the doctor (her father) “an ’earty old boy.” And when he reined his
horses up at her door, and she appeared to receive us, he said, “Now
you would not take that little body there for the great author, would
you?” and certainly we should have taken her for nothing more than a
kindly gentlewoman, who had never gone beyond the narrow sphere of the
most refined social life. Miss M. is truly a “little body,” and as
unlike as possible to the faces we have seen of her in the magazines,
which all have a broad humor bordering on coarseness. She has a
pale-gray, soul-lit eye, and hair as white as snow; a wintry sign that
has come prematurely upon her, as like signs come upon us while the
year is yet fresh and undecayed. Her voice has a sweet, low tone, and
her manner a natural frankness and affectionateness that we have been
so long familiar with in their other modes of manifestation that it
would have been indeed a disappointment not to have found them.
She led us directly through her house into her garden, a perfect
bouquet of flowers. “I must show you my geraniums while it is light,”
she said, “for I love them next to my father.”
CATHARINE M. SEDGWICK: ‘Letters from Abroad to Kindred at Home.’ New
York: Harper & Bros., 1841.
* * * * *
[Sidenote: Looking back.]
There used to be, and there no doubt still is, if I had but the courage
to go and look at it, a small, old-fashioned cottage at Three Mile
Cross, near Reading, which stood in a garden close to the road. A strip
of garden was on one side, a little pony-stable on the other, and the
larger part of the garden at the back. It was a comfortable-looking,
but still a real village cottage, with no town or suburb-look whatever
about it. Small lattice windows, below and above, with roses and
jasmine creeping round them all, established its rural character; and
there was a great buttress of a chimney rising from the ground at the
garden-strip side, which was completely covered with a very ancient and
very fine apricot tree. There the birds delighted to sit and sing among
the leaves, and build too, in several snug nooks, and there in early
autumn the wasps used to bite and bore into the rich ripe brown cracks
of the largest apricots, and would issue forth in rage when any one of
the sweetest of their property was brought down to the earth by the aid
of a clothes-prop, guided under the superintending instructions of a
venerable little gentlewoman in a garden-bonnet and shawl, with silver
hair, very bright hazel eyes, and a rose-red smiling countenance.
Altogether, it was one of the brightest faces any one ever saw.
Public-domain text, read in full here on John Shaqi.
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