Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
I must touch upon the foibles of my kinswoman with a gentle hand, for
Bridget does not like to be told of her faults. She hath an awkward
trick (to say no worse of it) of reading in company; at which times she
will answer Yes or No to a question without fully understanding its
purport--which is provoking and derogatory in the highest degree to the
dignity of the putter of the said question. Her presence of mind is
equal to the most pressing trials of life, but will sometimes desert
her upon trifling occasions. When the purpose requires it, and is a
thing of moment, she can speak to it greatly; but in matters which are
not stuff of the conscience, she hath been known sometimes to let slip
a word less seasonable.
In a season of distress she is the truest comforter; but in the
teasing accidents and minor perplexities which do not call out the
_will_ to meet them, she sometimes maketh matters worse by an excess
of participation. If she does not always divide your trouble, upon
the pleasanter occasions of life, she is sure always to treble your
satisfaction.
CHARLES LAMB: _Mackery End, in Hertfordshire_, ‘Essays of Elia.’
* * * * *
[Sidenote: Mary’s first pun.]
When I first opened upon the just-mentioned poem [‘The Force of Prayer,
or the Founding of Bolton Priory,’] in a careless tone, I said to Mary,
as if putting a riddle, “What is good for a bootless bene?” To which,
with infinite presence of mind (as the jest-book has it), she answered,
“A shoeless pea.” It was the first she ever made.
CHARLES LAMB: _Letter to Wordsworth_, in ‘Final Memorials,’ by T. N.
Talfourd.
* * * * *
[Sidenote: Her manner of speaking.]
She had a speaking voice, gentle and persuasive; and her smile was
her brother’s own--winning in the extreme. There was a certain
catch, or emotional breathingness, in her utterance, which gave
an inexpressible charm to her reading of poetry, and which lent a
captivating earnestness to her mode of speech when addressing those
she liked. This slight check, with its yearning, eager effect in her
voice, had something softenedly akin to her brother Charles’ impediment
of articulation: in him it scarcely amounted to a stammer, in her it
merely imparted additional stress to the fine-sensed suggestions she
made to those whom she counselled or consoled. There was a certain
old-world fashion in Mary Lamb’s diction which gave it a most natural
and quaintly pleasant effect, and which heightened rather than
detracted from the more heart-felt or important things she uttered.
CHARLES AND MARY COWDEN CLARKE: ‘Recollections of Writers.’
* * * * *
[Sidenote: Writing together.]
Public-domain text, read in full here on John Shaqi.
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