Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
I had, on entering, no eyes for any one but her. I had persuaded myself
that the author of the work on education, and of other productions,
useful as well as ornamental, would betray herself by a remarkable
exterior. I was mistaken. A small figure, eyes nearly always lowered, a
profoundly modest and reserved air, little expression in the features
when not speaking: such was the result of my first survey. But when
she spoke, which was much too rarely for my taste, nothing could have
been better thought, and nothing better said, though always timidly
expressed, than that which fell from her mouth.
MARC AUGUSTE PICTET: ‘Voyage de Trois Mois en Angleterre,’ translated
by Grace A. Oliver in ‘A Study of Maria Edgeworth.’
* * * * *
[Sidenote: A little romance.]
Here, my dear aunt, I was interrupted in a manner that will surprise
you as much as it surprised me, by the coming in of M. Edelcrantz,
a Swedish gentleman, whom we have mentioned to you, of superior
understanding and mild manners: he came to offer me his hand and
heart! My heart, you may suppose, cannot return his attachment; for I
have seen but little of him, and have not had time to have formed any
judgment, except that I think nothing could tempt me to leave my own
dear friends and my own country to live in Sweden.
MARIA EDGEWORTH: _Letter to Mrs. Ruxton_, quoted in ‘A Study of Maria
Edgeworth.’
* * * * *
Maria was mistaken as to her own feelings. She refused M. Edelcrantz,
but she felt much more for him than esteem and admiration; she was
exceedingly in love with him. Mr. Edgeworth left her to decide for
herself; but she saw too plainly what it would be to us to lose her,
and what she would feel at parting from us.... She suffered much at the
time, and long afterwards.... ‘Leonora,’ which she began immediately
after our return home, was written with the hope of pleasing the
Chevalier Edelcrantz: it was written in a style he liked; and the idea
of what he would think of it was, I believe, present to her in every
page she wrote. She never heard that he had even read it.... I do not
think she ever repented of her refusal or regretted her decision: she
was well aware that she could not have made him happy, that she would
not have suited his position at the court of Stockholm, and that her
want of beauty might have diminished his attachment. It was better,
perhaps, that she should think so, as it calmed her mind; but, from
what I saw of M. Edelcrantz, I think he was a man capable of deeply
valuing her.... He never married. He was, except very fine eyes,
remarkably plain. Her father rallied Maria about her preference of
so ugly a man; but she liked the expression of his countenance, the
spirit and strength of his character, and his very able conversation.
The unexpected mention of his name, or even that of Sweden, in a book
or newspaper, always moved her so much that the words and lines in the
Public-domain text, read in full here on John Shaqi.
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