Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
But when, wounded beyond endurance by his violence and injustice, she
withdrew for a few days from her home, and told her father she would
receive no letters from him in which this friend’s name was mentioned,
the old man’s cunning took the place of passion. He wrote long and
affectionate letters to her on general subjects; but accompanying each
letter was a little slip of paper, which professed to be a note from
Charlotte’s dog, Flossy, to his “much-respected and beloved mistress,”
in which the dog, declaring that he saw “a good deal of human nature
that was hid from those who had the gift of language,” was made to
repeat the attacks upon the obnoxious person which Mr. Brontë dared no
longer to make in his own character.
[Sidenote: Childhood of the Brontës.]
The parson’s children were not allowed to associate with their little
neighbors in the hamlet; their aunt, who came to the parsonage after
their mother’s death, had scarcely more sympathy with them than their
father himself; their only friend was the rough but kindly servant
Tabby, who pitied the bairns without understanding them.... So they
grew up strange, lonely, old-fashioned children, with absolutely no
knowledge of the world outside; so quiet and demure in their habits,
that years afterward, when they had invited some of their Sunday
scholars up to the parsonage, and wished to amuse them, they found
that they had to ask the scholars to teach them how to play--they had
never learned. Carefully secluded from the rest of the world, the
little Brontë children found out fashions of their own in the way of
amusement, and curious fashions they were. While they were still in the
nursery, when the oldest of the family, Maria, was barely nine years
old, and Charlotte, the third, was just six, they had begun to take a
quaint interest in literature and politics. Heaven knows who it was who
first told these wonderful pigmies of the great deeds of a Wellington
or the crimes of a Bonaparte; but at an age when other children are
generally busy with their bricks or their dolls, and when all life’s
interests are confined for them within the walls of a nursery, these
marvellous Brontës were discussing the life of the Great Duke, and
maintaining the Tory cause as ardently as the oldest and sturdiest of
the village politicians in the neighboring inn.
[Sidenote: Effect on Charlotte’s work in later life.]
It may be well to bear in mind the frequency with which the critics
have charged Charlotte Brontë with exaggerating the precocity of
children. What we know of the early days of the Brontës proves that
what would have been exaggeration in any other person was in the case
of Charlotte nothing but a truthful reproduction of her own experiences.
T. WEMYSS REID: ‘Charlotte Brontë, a Monograph.’ New York: Scribner,
Armstrong & Co., 1877.
* * * * *
[Sidenote: Early reading.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account