Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
The flower-market out of doors, with clove-pinks, tall Mary-lilies, and
delicate _roses d’amour_, filling the quaint mediæval square before the
beautiful old façade of the Hôtel de Ville; Sainte-Gudule, with its
spires and arches; the Montagne de la Cour (almost as steep as Haworth
Street), its windows ablaze at night with jewels; the little, lovely
park, its great elms just coming into leaf, its statues just bursting
from their winter sheaths of straw; the galleries of ancient pictures,
their walls a sober glory of colors, blues, deep as a summer night,
rich reds, brown-golds, most vivid greens. All this should have made an
impression on the two home-keeping girls from Yorkshire; and Charlotte,
indeed, perceived something of its beauty and strangeness. But Emily,
from a bitter sense of exile, from a natural narrowness of spirit,
rebelled against it all as an insult to the memory of her home--she
longed, hopelessly, uselessly, for Haworth. The two Brontës were very
different to the Belgian school-girls in Madame Héger’s Pensionnat.
They were, for one thing, ridiculously old to be at school--twenty-four
and twenty-six--and they seemed to feel their position; their speech
was strained and odd; all the “sceptical, wicked, immoral French
novels, over forty of them, the best substitute for French conversation
to be met with,” which the girls had toiled through with so much
singleness of spirit, had not cured the broadness of their accent
nor the artificial idioms of their Yorkshire French. Monsieur Héger,
indeed, considered that they knew no French at all. Their manners, even
among English people, were stiff and prim; the hearty, vulgar, genial
expansion of their Belgian school-fellows must have made them seem as
lifeless as marionettes. Their dress--Haworth had permitted itself
to wonder at the uncouthness of those amazing leg-of-mutton sleeves
(Emily’s pet whim in and out of fashion), at the ill-cut lankness of
those skirts, clumsy enough on round little Charlotte, but a very
caricature of mediævalism on Emily’s tall, thin, slender figure. They
knew they were not in their element, and kept close together, rarely
speaking. Yet, Monsieur Héger, patiently watching, felt the presence of
a strange power under those uncouth exteriors. It was with the delight
of a botanist discovering a rare plant in his garden, of a politician
detecting a future statesman in his nursery, that he perceived the
unusual faculty which lifted his two English pupils above their
school-fellows.... It was Emily who had the larger share of Monsieur
Héger’s admiration.... He gave her credit for logical powers, for a
capacity for argument unusual in a man, and rare, indeed, in a woman.
She, not Charlotte, was the genius in his eyes, although he complained
that her stubborn will rendered her deaf to all reason, when her own
determination, or her own sense of right, was concerned.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account