The three tales, ‘Wuthering Heights,’ ‘Agnes Grey,’ and ‘The Professor,’ had tried their fate in vain together; at length they were sent forth separately, and for many months with still-continued ill success. I have mentioned this here, because, among the dispiriting circumstances connected with her anxious visit to Manchester, Charlotte told me that her tale came back upon her hands, curtly rejected by some publisher, on the very day when her father was to submit to his operation [for cataract]. But she had the heart of Robert Bruce within her, and failure upon failure daunted her no more than him. Not only did ‘The Professor’ return again to try his chance among the London publishers, but she began, in this time of care and depressing inquietude--in those gray, weary, uniform streets where all faces, save those of her kind doctor, were strange and untouched with sunlight to her--there and then, did the brave genius begin ‘Jane Eyre.’ MRS. GASKELL: ‘Life of Charlotte Brontë.’ * * * * * [Sidenote: Immediate success of ‘Jane Eyre.’] Those who remember that winter [of 1847] know how something like a ‘Jane Eyre’ fever raged among us. The story which had suddenly discovered a glory in uncomeliness, a grandeur in overmastering passion, moulded the fashion of the hour, and “Rochester airs” and “Jane Eyre graces” became the rage. The book, and its fame and influence, travelled beyond the seas with a speed which in those days was marvellous. In sedate New England homes the history of the English governess was read with an avidity which was not surpassed in London itself, and within a few months of the publication of the novel it was famous throughout two continents. No such triumph has been achieved in our time by any other English author; nor can it be said, upon the whole, that many triumphs have been better merited. It happened that this anonymous story, bearing the unmistakable marks of an unpractised hand, was put before the world at the very moment when another great masterpiece of fiction was just beginning to gain the ear of the English public. But at the moment of publication ‘Jane Eyre’ swept past ‘Vanity Fair’ with a marvellous and impetuous speed which left Thackeray’s work in the distant background; and its unknown author in a few weeks gained a wider reputation than that which one of the master minds of the century had been engaged for long years in building up. The reaction from this exaggerated fame of course set in, and it was sharp and severe. T. WEMYSS REID: ‘Charlotte Brontë, a Monograph.’ * * * * * [Sidenote: Mr. Brontë informed about ‘Jane Eyre.’]