Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
I soon observed that her habits of order were such that she could
not go on with the conversation if a chair was out of its place;
everything was arranged with delicate regularity.... I told her of
----’s admiration of ‘Shirley,’ which pleased her, for the character
of ‘Shirley’ was meant for her sister Emily, about whom she is never
tired of talking, nor I of listening. Emily must have been a remnant
of the Titans--great-grand-daughter of the giants who used to inhabit
the earth. One day Miss Brontë brought down a rough, common-looking
oil painting, done by her brother, of herself--a little, rather
prim-looking girl of eighteen--and the two other sisters, girls of
sixteen and fourteen, with cropped hair, and sad, dreamy-looking eyes.
MRS. GASKELL: ‘Life of Charlotte Brontë.’
* * * * *
[Sidenote: Charlotte’s life-long friendship with Ellen Nussey.]
In the sombre web of Charlotte’s existence there shone one thread
of silver, all the brighter and more blessed for the contrast--it
was the warm, steady, unfailing friendship of her school-fellow “E.”
(Ellen Nussey). “Ma bien aimée, ma précieuse E., mon amie chère et
chérie,” she calls her in one of her earlier letters. “If we had but
a cottage and a competency of our own, I do think we might live and
love on till death, without being dependent on any third person for
happiness.” “What am I compared to you?” she exclaims; “I feel my own
utter worthlessness when I make the comparison. I am a very coarse,
commonplace wretch.” But the affection that overflowed in such loving
extravagance was no passing sentiment. As life deepened and grew more
and more intense--and fuller of pain--for each, the closer became
their attachment, the more constantly Charlotte turned for sympathy
and support to her faithful companion. In her, indeed, she found all
the greater rest and refreshment because of the difference in their
natures. Her individuality colors the Caroline Helstone of ‘Shirley.’
R. W. GILDER, in ‘The Old Cabinet,’ in _Scribner’s Monthly_, now _The
Century_, May, 1871.
* * * * *
[Sidenote: Charlotte’s marriage.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account