Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
Although I had known Mary Ann Evans as a child at her father’s house at
Griff, our real acquaintance began in 1841, when after she came with
her father to reside near Coventry, my sister, who lived next door
to her, brought her to call upon us one morning, thinking, amongst
other natural reasons for introducing her, that the influence of this
superior young lady of Evangelical opinions might be beneficial to our
heretical minds. She was then about one-and-twenty, and I can well
recollect her appearance and modest demeanor as she sat down on a low
ottoman by the window, and I had a sort of surprised feeling when she
first spoke, at the measured, highly-cultivated mode of expression, so
different from the usual tones of young persons from the country. We
became friends at once. We soon found that her mind was already turning
toward greater freedom of thought in religious opinion, that she had
even bought for herself Hennell’s ‘Inquiry,’ and there was much mutual
interest between the author and herself in their frequent meeting at
our house.
CHARLES BRAY: ‘Phases of Opinion and Experience During a Long Life.’
London: Longmans & Co., 1885.
* * * * *
[Sidenote: Remarkable proportions of Miss Evans’ head.]
Mr. Bray, an enthusiastic believer in phrenology, was so much struck
with the grand proportions of her head that he took Marian Evans to
London to have a cast taken. He thinks that, after that of Napoleon,
her head showed the largest development from brow to ear of any
person’s recorded.
MATHILDE BLIND: ‘George Eliot.’
* * * * *
[Sidenote: The house in the Foleshill road.]
[Sidenote: Marian’s study.]
[Sidenote: Her bedroom.]
Public-domain text, read in full here on John Shaqi.
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