Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
Another favorite resort of George Eliot’s was the Zoölogical Gardens.
She went there a great deal to study the animals, and was particularly
fond of the “poor dear ratel” that used to turn somersaults. In fact
her knowledge of and sympathy with animals was as remarkable as that
which she showed for human nature. Thus she astonished a gentleman
farmer by drawing attention to the fine points of his horses. Her
intimate acquaintance with the dog comes out in a thousand touches in
her novels, and her humorous appreciation of the little pigs led her
to watch them attentively, and to pick out some particular favorite.
In her country rambles, too, she was fond of turning over stones to
inspect the minute insect life teeming in moist, dark places; and she
was as interested as Lewes himself in the creatures, frogs, etc., he
kept for scientific purposes, and which would sometimes, like the frog
in the fairy tale, surprise the household by suddenly making their
entrance into the dining-room. Her liking for the “poor brutes,” as she
called them, had its origin no doubt in the same source of profound
pity which she feels for “the twists and cracks” of imperfect human
beings.
MATHILDE BLIND: ‘George Eliot’
* * * * *
[Sidenote: Receptions at the Priory.]
[Sidenote: George Eliot’s conversation.]
When London was full, the little drawing-room in St. John’s Wood was
now and then crowded to overflowing by those who were glad to give
their best of conversation, of information, and sometimes of music,
always to listen with eager attention to whatever their hostess might
say, when all that she said was worth hearing. Without a trace of
pedantry, she led the conversation to some great and lofty strain.
Of herself and her works she never spoke; of the works and thoughts
of others she spoke with reverence, and sometimes even too great
tolerance. But those afternoons had the highest pleasure when London
was empty or the day wet, and only a few friends were present, so that
her conversation assumed a more sustained tone than was possible when
the rooms were full of shifting groups. It was then that, without any
premeditation, her sentences fell as fully formed, as wise, as weighty,
as epigrammatic, as any to be found in her books. Always ready, but
never rapid, her talk was not only good in itself, but it encouraged
the same in others, since she was an excellent listener, and eager to
hear.
C. KEGAN PAUL: ‘George Eliot.’
* * * * *
[Sidenote: Appearance.]
Public-domain text, read in full here on John Shaqi.
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