[Sidenote: “A strenuous Demiurge.”] Everything in her aspect was in keeping with the bent of her soul. The deeply-lined face, the too-marked and massive features, were united with an air of delicate refinement, which in one way was the more impressive because it seemed to proceed so entirely from within. Nay, the inward beauty would sometimes quite transform the external harshness; there would be moments when the thin hands that entwined themselves in their eagerness, the earnest figure that bowed forward to speak and hear, the deep gaze moving from one face to another with a grave appeal--all these seemed the transparent symbols that showed the presence of a wise, benignant soul. But it was the voice that best revealed her, a voice whose subdued intensity and tremulous richness seemed to environ her uttered words with the mystery of a world of feeling that must remain untold.... And then again, when in moments of more intimate converse some current of emotion would set strongly through her soul, when she would raise her head in unconscious absorption and look out into the unseen, her expression was not one to be soon forgotten. It had not, indeed, the serene felicity of souls to whose child-like confidence all heaven and earth are fair. Rather it was the look (if I may use a Platonic phrase) of a strenuous Demiurge, of a soul on which high tasks are laid, and which finds in their accomplishment its only imagination of joy. FREDERICK W. H. MYERS: ‘George Eliot.’ _Century Magazine_, November, 1881. * * * * * [Sidenote: Her personal bearing.] [Sidenote: Love of laughter.] [Sidenote: Distinctively feminine qualities.]