Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
Mr. Lewes and she were one day good-humoredly recounting the mistaken
effusiveness of a too-sympathizing friend, who insisted on assuming
that Mr. Casaubon was a portrait of Mr. Lewes, and on condoling
with the sad experience which had taught the gifted authoress of
‘Middlemarch’ to depict that gloomy man. And there was indeed something
ludicrous in the contrast between the dreary pedant of the novel and
the gay self-content of the living _savant_ who stood acting his vivid
anecdotes before our eyes. “But from whom, then,” said a friend,
turning to Mrs. Lewes, “did you draw Casaubon?” With a humorous
solemnity, which was quite in earnest, nevertheless, she pointed to her
own heart. She went on to say--and this we could well believe--that
there was one character, that of Rosamond Vincy, which she had
found it hard to sustain; such complacency of egoism being alien to
her own habits of mind. But she laid no claim to any such natural
magnanimity as could avert Casaubon’s temptations of jealous vanity,
of bitter resentment. No trace of these faults was ever manifest in
her conversation. But much of her moral weight was derived from the
impression which her friends received that she had not been by any
means without her full share of faulty tendencies to begin with, but
that she had upbuilt with strenuous pains a resolute virtue--what Plato
calls _an iron sense of truth and right_--to which others also, however
faulty, by effort might attain.
F. W. H. MYERS: ‘George Eliot.’
* * * * *
[Sidenote: Anecdote of her parting with Tennyson.]
She never tired of the lovely scenery about Witley, and the great
expanse of view obtainable from the tops of the many hills. It was
on one of her drives in that neighborhood that a characteristic
conversation took place between her and one of the greatest English
poets, whom she met as he was taking a walk. Even that short interval
enabled them to get into somewhat deep conversation on evolution; and
as the poet afterward related it to a companion on the same spot, he
said, “Here was where I said good-bye to George Eliot; and as she went
down the hill, I said, ‘Well, good-bye, you and your molecules,’ and
she said to me, ‘I am quite content with my molecules.’” A trifling
anecdote, perhaps, but to those who will read between the lines, not
other than characteristic of both speakers.
C. KEGAN PAUL: ‘George Eliot.’
* * * * *
[Sidenote: George Eliot’s reading aloud.]
Public-domain text, read in full here on John Shaqi.
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