Pencil Sketches; or, Outlines of Character and MannersLeslie, Eliza
General
Pencil Sketches; or, Outlines of Character and Manners
Leslie, Eliza
Humorous stories; Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
"Oh! no, indeed," replied Laura, earnestly. And, in a few words, as they
ascended the stairs, she gave him an outline of the schoolmaster and his
character.
"Then do not cut him at all," said Aubrey. "Let me take the liberty of
suggesting to you how to receive him." They had now come out into the
veranda, and Maitland immediately led Laura up to Pyam Dodge, who bowed
profoundly on being introduced to him, and then turned to our heroine,
asked permission to shake hands with her, hoped his company would be
found agreeable, and signified that he had been unable to learn where
she was from Mr. Brantley's servants; but that the evening before, a
gentleman of Boston had told him that Mr. Brantley and all the family
were at Nahant. Therefore, he had come thither to-day purposely to see
her, and to inform her that the summer vacation having commenced, he was
going to pay a visit to his old friends at Rosebrook, and would be very
thankful if she would honour him with a letter or message to her family.
All this was said with much bowing, and prosing, and apologizing. When
it was finished, Maitland invited Pyam Dodge to take a turn round the
veranda with Miss Lovel and himself, and the poor schoolmaster expressed
the most profound gratitude. When they were going to dinner, Aubrey
introduced him to Mrs. Maitland, placed him next to himself at table,
and engaged him in a conversation on the Greek classics, in which Pyam
Dodge, finding himself precisely in his element, forgot his humility,
and being less embarrassed, was therefore less awkward and absurd than
usual.
Laura Lovel had thought Aubrey Maitland the handsomest and most elegant
young man she had ever seen. She now thought him the most amiable.
In the afternoon, there was a mirage, in which the far-off rocks in the
vicinity of Marblehead appeared almost in the immediate neighbourhood of
Nahant, coming out in full relief, their forms and colours well-defined,
and their height and breadth seemingly much increased. While all the
company were assembled to look at this singular optical phenomenon
(Aubrey Maitland being earnestly engaged in explaining it to our
heroine), Miss Frampton whispered to Laura that she wished particularly
to speak with her, and accordingly drew her away to another part of the
veranda.
Laura turned pale, for she had a presentiment of what was coming. Miss
Frampton then told her, that presuming she had heard from home, she
concluded that it would, of course, be convenient to return the trifle
she had lent her; adding, that she wished to give a small commission to
a lady that was going to town the next morning.
Poor Laura knew not what to say. She changed colour, trembled with
nervous agitation, and at last faltered out that, in consequence of
knowing her father was from home, she had not yet written to him on the
subject, but that she would do so immediately, and hoped Miss Frampton
would not find it very inconvenient to wait a few days.
Public-domain text, read in full here on John Shaqi.
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