Pencil Sketches; or, Outlines of Character and MannersLeslie, Eliza
General
Pencil Sketches; or, Outlines of Character and Manners
Leslie, Eliza
Humorous stories; Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Taking her seat near the centre-table, Selina endeavoured to engage her
guest in conversation, lest he should go away without his money. But,
too little accustomed to the world and its contingencies to feel at all
at her ease on this occasion, not having courage to mention the cent,
and afraid every moment that Mr. Robertson would rise to take his leave,
she became more and more embarrassed, sat uneasily on her chair, kept
her eyes on the floor, except when she stole glances at her visiter to
see if he showed any symptoms of departure, and looked frequently
towards the door, hoping the arrival of Ovid.
Unconscious of what she was doing, our heroine took a camellia japonica
from a vase that stood on the table, and having smelled it a dozen
times (though it is a flower that has no perfume) she began to pick it
to pieces. Mr. Robertson stopped frequently in the midst of a long story
about a speculation in sperm oil, his attention being continually
engaged by the evident perturbation of the young lady. But when he saw
her picking to pieces the camellia which she had pressed to her nose and
to her lips, he was taken with a sudden access of gallantry, and
stalking up to her, and awkwardly stretching out his hand at arm's
length, he said, in a voice intended to be very sweet--"Miss Mansel,
will you favour me with that flower?"
Selina, not thinking of what she did, hastily dropped the camellia into
his out-spread palm, and ran to meet her servant Ovid, whom she saw at
that moment coming into the house. She stopped him in the hall, and
eagerly held out her hand, while Ovid slowly and carefully counted into
it, one by one, ten half dollars, telling her that he had been nearly
all over town with the note, as "change is always _scace_ of an
afternoon."
"How vexatious!" said Selina, in a low voice--"You have brought me no
cents. It was particularly a cent that I wanted--a cent above all
things. Did I not tell you so?--I am sure I thought I did."
Ovid persisted in declaring that she had merely desired him to get the
note changed, and that he thought "nobody needn't wish for better change
than all big silver,"--but feeling in his pocket, he said "he believed,
if Miss Selina would let him, he could lend her a cent." However, after
searching all his pockets, he found only a quarter of a dollar. "But,"
added he, "I can go in the kitchen and ax if the women hav'n't got no
coppers. Ah! Miss Selina--your departed aunt always kept her pocket
full."
Selina then desired him to go immediately and inquire for a cent among
the women. She then returned to the parlour, and Mr. Robertson, having
nothing more to say, rose to take his leave. During her absence from the
room, he had torn off the back of a letter, folded in it the
half-demolished camellia japonica, and deposited it in his waistcoat
pocket.
Selina begged him to stay a few minutes longer, and she went into the
kitchen to inquire in person about the cent.
Public-domain text, read in full here on John Shaqi.
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