Pencil Sketches; or, Outlines of Character and MannersLeslie, Eliza
General
Pencil Sketches; or, Outlines of Character and Manners
Leslie, Eliza
Humorous stories; Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
That nothing might be wanting to the effect of the ball, the ladies had
made a point of appearing this evening in dresses unusually splendid and
_recherché_. The elegant form of Lucinda Mandeville was attired in a
rich purple satin, bordered with gold embroidery, and trimmed round the
neck with blond lace. Long full sleeves of the same material threw
their transparent shade over her beautiful arms, and were confined at
intervals with bands of pearls clasped with amethysts. A chain of pearls
was arranged above the curls of her dark and glossy hair, crossing at
the back of her head, and meeting in front, where it terminated in a
splendid amethyst aigrette. Three short white feathers, tastefully
disposed at intervals, completed the coiffure, which was peculiarly
becoming to the noble and resplendent style of beauty that distinguished
our heroine; though to a little slight woman with light hair and eyes,
it would have been exactly the contrary.
"Did you ever see so princess-like a figure as Miss Mandeville?" said
young Rainsford to Gordon Fitzsimmons, "or features more finely
chiselled?"
"I have never seen a princess," replied Fitzsimmons, "but from what I
have heard, few of them look in reality as a princess should. Neither, I
think, does the word _chiselled_ apply exactly to features, formed by a
hand beside whose noble and beautiful creations the finest _chef
d'oeuvres_ of sculpture are as nothing. I like not to hear of the
human face being _well cut_ or _finely chiselled_: though these
expressions have long been sanctioned by the currency of fashion. Why
borrow from art a term, or terms, that so imperfectly defines the beauty
of nature? When we look at a living face, with features more lovely than
the imagination of an artist has ever conceived, or at a complexion
blooming with health, and eyes sparkling with intelligence, why should
our delight and our admiration be disturbed, by admitting any idea
connected with a block of marble and the instruments that form it into
shape?"
"But you must allow," said Rainsford, "that Miss Mandeville has a fine
classic head."
Public-domain text, read in full here on John Shaqi.
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