Pencil Sketches; or, Outlines of Character and MannersLeslie, Eliza
General
Pencil Sketches; or, Outlines of Character and Manners
Leslie, Eliza
Humorous stories; Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Lindsay, at parting, put a dollar into the hand of the old negro. "What
for this, Masser Neddy?" asked Pharaoh, trying to look very
disinterested.
"Do whatever you please with it," answered Lindsay.
"Well, masser," replied the negro, "I never likes to hurt a gemplan's
feelings by 'fusing him. So I'll keep it, just to 'blige you. But, I
'spect, to be sure, Masser Neddy'll step in some day at negor-man's
cabin, and see old Binkey, and take part of him dollar out in cakes and
beer. I'll let masser know when Binkey has a fresh baking."
Pharaoh then led off the horse, and Lindsay stood for a few moments to
take a survey of the new residence of his old friends. It was a broad,
substantial two-story stone house. There was a front garden, where large
snow-ball trees
"Threw up their silver globes, light as the foamy surf,"
and where the conical clusters of the lilac, and the little May roses,
were bursting into fragrance and beauty, and uniting their odours with
those of the tall white lily, and the lowly but delicious pink. Behind
the house ascended a woodland hill, whose trees at this season exhibited
every shade of green, in tints as various as the diversified browns of
autumn.
Lindsay found the front door unfastened, and opening it without
ceremony, he entered a wide hall furnished with a long settee, a large
table, a hat-stand, a hanging lamp, a map of the United States, and one
of the world. There was a large parlour on each side of the hall, and
Lindsay looked into both, the doors being open. One was carpeted, and
seemed to be fitted up for winter, the other had a matted floor, and was
evidently the summer sitting-room. The furniture in both, though by no
means showy, was excellent of its kind and extremely neat; and in its
form and arrangement convenience seemed to be the chief consideration.
Lindsay thought he had never seen more pleasant-looking rooms. In the
carpeted parlour, on the hearth of the Franklin stove, sat a blue china
jar filled with magnolia flowers, whose spicy perfume was tempered by
the outer air that came through the venetian blinds which were lowered
to exclude the sunbeams. One recess was occupied by a mahogany
book-case, and there was a side-board in the other. The chimney-place of
the summer parlour was concealed by a drapery of ingeniously cut paper,
and the various and beautiful flowers that adorned the mantel-piece had
evidently been cultivated with care. Shelves of books hung in the
recesses, and in both rooms were sofas and rocking-chairs.
"Is it possible," thought Lindsay, "that this can be the habitation of
Abraham Hilliard?" And he ran over in his mind the humble aspect of
their sitting-room in the old farm-house, with its home-made carpet of
strips of listing; its tall-backed rush chairs; its walnut table; its
corner cupboard; its hanging shelves suspended from the beams that
crossed the ceiling, and holding miscellaneous articles of every
description.
Public-domain text, read in full here on John Shaqi.
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