Pencil Sketches; or, Outlines of Character and MannersLeslie, Eliza
General
Pencil Sketches; or, Outlines of Character and Manners
Leslie, Eliza
Humorous stories; Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
For a long time Mrs. Clavering tried in vain to prevail on Uncle Philip
to accept of the invitation. At last Dick suggested a new persuasive.
"Mother," said he, "I have no doubt Uncle Philip would go to the French
supper, if you will let us all have a holiday from school for a week."
"That's a good thought, Dick," exclaimed the old gentleman. "Yes, I
think I would. Well, on these terms I will go, and eat trash. I suppose
I shall live through it. But remember now, this is the first and last
and only time I will ever enter a French house."
After tea, the party set out for Monsieur Franchimeau's, and were
ushered into the front parlour, which was fitted up in a manner that
exhibited a strange _mélange_ of slovenliness and pretension. There was
neither carpet nor matting, and the floor was by no means in the nicest
order; but there were three very large looking-glasses, the plates being
all more or less cracked, and the frames sadly tarnished. The chairs
were of two different sorts, and of very ungenteel appearance; but there
was a kind of Grecian sofa, or lounge, with a gilt frame much defaced,
and a red damask cover much soiled; and, in the centre of the room,
stood a _fauteuil_[51] covered with blue moreen, the hair poking out in
tufts through the slits. The windows were decorated with showy curtains
of coarse pink muslin and marvellously coarse white muslin; the drapery
suspended from two gilt arrows, one of which had lost its point, and the
other had parted with its feather. The hearth was filled with rubbish,
such as old pens, curl-papers, and bits of rag; but the mantel-piece was
adorned with vases of artificial flowers under glass bells, and two
elegant chocolate cups of French china.
[Footnote 51: Easy chair.]
The walls were hung with a dozen bad lithographic prints, tastefully
suspended by bows of gauze ribbon. Among these specimens of the worst
style of the modern French school, was a Cupid and Psyche, with a
background that was the most prominent part of the picture, every leaf
of every tree on the distant mountains being distinctly defined and
smoothly finished. The clouds seemed unwilling to stay behind the hills,
but had come so boldly forward and looked so like masses of stone, that
there was much apparent danger of their falling on the heads of the
lovers and crushing them to atoms. Psyche was an immensely tall, narrow
woman, of a certain age, and remarkably strong features; and Cupid was a
slender young man, of nineteen or twenty, about seven feet high, with
long tresses descending to his waist.
Public-domain text, read in full here on John Shaqi.
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